The Herald (Zimbabwe)

Call to preserve traditiona­l music, culture

- Talent Gore Arts Correspond­ent Arts Reporter

WHILE the entertainm­ent sector has over the years witnessed the entry of various music genres and instrument­s, traditiona­l dance has stood the test of time.

Traditiona­l music and dance have seemingly been overtaken by contempora­ry musical brands, but they have managed to stay relevant as part of the Zimbabwean culture and tradition.

Dzikwa Trust Arts and Culture coordinato­r Alois Sagota described the country’s cultural heritage as important.

“It is important that arts should be taken seriously especially for the

ZVISHAVANE- BASED gospel singer, Gracious Sithole hopes to reach greater heights with the release of an album she is working on, which is set for release early next month.

Sithole, whose singing talent was masked by mischief which led to her expulsion from school, says the forthcomin­g album has all it takes to catapult her to higher levels. “My life was messy,” she said. “I was expelled from school after being caught having a love affair at school, which also affected my relationsh­ip with my parents. I almost gave up life as people started calling me all sorts of names. I then felt like developmen­t of people and more importantl­y our cultural values are an essential part of our heritage,” he said.

He said people should try to preserve culture and encourage the youth to take pride in it.

“The main aim is to revive our culture and make young people understand their culture, it was through traditiona­l dance that most modern styles were derived from,” Sagota said.

Sagota said it was dishearten­ing to note that the majority of youths in the country did not appreciate traditiona­l dance, but preferred contempora­ry dances from foreign lands.

“Most youths in the country do not appreciate traditiona­l dance, the people who easily absorb it are primary school children so for one to find ways to capture the youths they have to mix it with theatre or some interestin­g activities,” Sagota said.

“But it is different with the whites in foreign land because they are overwhelme­d by our culture and they are never tired of it,” he said.

He said traditiona­l dance had stood the test of time because it is what defines a community.

“Traditiona­l dance is about originatio­n, it is what defines a community because it is where we tap in our history.

“It is the mirror of any community and as such people are defined by their dances,” said Sagota.

He said traditiona­l dance was unlike pop culture which faded away like ‘bubble-gum’.

“Traditiona­l dance is unlike pop culture which comes and goes and is ever changing,” Sagota said.

“People from each part of the world would always want to see the culture by the Ndebele, Shona, and Xhosa people.

“It is a reflection of who they are, because it does not have a sell by date.”

He said in the country traditiona­l dance was mostly appreciate­d by the adult audience that is why his group fuses it with the latest dances in order to appeal to all the audiences.

“Verenga Empire Entertainm­ent are giving me an opportunit­y to showcase my talent despite being previously involved in controvers­ial behaviour.

“At first, I thought I was not fit to sing gospel considerin­g my past experience­s, but they strengthen­ed me and gave me an assurance of reaching greater heights.

“Most of my songs coming on the album will inspire those who are facing different trying situations and they will strengthen hearts of believers.

“They will encourage people to remain focused,” she said.

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