The Standard (Zimbabwe)

Jah Prayzah drops Gwara

- BY KENNEDY NYAVAYA

For crowd-pulling musician Jah Prayzah and his team, the recent announceme­nt of a sti er national lockdown to curb the spread of a Covid-19 third wave, days before the release of his latest album titled Gwara came as an ugly deja-vu, a rare case of lighting striking the same place twice.

Last year, the Mukwasha singer’s plans of traditiona­lly hosting a physical concert to o cially launch the Hokoyo project su ered a similar fate.

“It (ban on gatherings) is painful because the energy we feed on the stage comes from the fans and the other way round. So, we are on a tight spot because you can only feel that you have put on a show based on the people you see scream and dance,” Jah Prayzah said in an interview on his Facebook page earlier last week.

“I have not seen my fans dance to some of my songs (from the last album) and do not how they would react but it is the past album and now it is on to another.”

However, despite the unfavorabl­e reality his camp has quickly resorted to a digital release scheduled for later today on the Gateway

Stream Music applicatio­n.

“We are still in a pandemic and when we were planning we knew we could not have a really solid plan because things are everchangi­ng and it turns out we were right so we are now settling for plan B, which is digital,” the musician’s manager Keen Mushapaidz­e told

Standard Style on Friday.

“It is sad that we will not have people physically attending the launch, but our business entails more than just making money from gatherings, rather it is also about keeping fans happy and safe.”

Music lovers will need to download the Gate

way Stream Music app to exclusivel­y access for free the revered artiste’s 11th album over the next week.

“Gateway is a local platform, we have had other similar ones which vanished because they were not being supported so we decided to support in a mutually bene cial deal, which we think is the best compared to foreign ones who might not necessaril­y prioritize us on their platforms,” said Mushapaidz­e.

According to Mushapaidz­e, things “have not been the same in the Covid-19 era” that has seen lose some of their music-related income stream and they have had to be innovative as well as diverse to stay a oat as a brand.

The much-anticipate­d 16-track album was produced by a collection of local and internatio­nal artistes, including Victor Stot, Rodney Beats, Young DLC and Lizer ( Tanzania).

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Jah Prayzah

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