The Standard (Zimbabwe)

Use of artificial intelligen­ce in music

- With Fred Zindi Feedback: com

IMAGINE listening to a new Oliver Mtukudzi album with his voice recorded and released this year in 2023.

You know that Tuku died four years ago. You begin to wonder how all this came about. Modern technology which uses artificial intelligen­ce (AI) is able to do this.

The process is simple. The producer of this record will allow Tuku’s old musicians such as The Black Spirits to record the backing tracks and also allow any singer (Let’s call him Singer A) to lay the vocals on the new album.

Before mixing the songs, the producer will sample Tuku’s voice from his previous albums, then allows the computer to sing in unison with the current singer A, using Tuku’s sampled voice before erasing Singer A’s voice and replacing it with Tuku’s sampled original voice, but keeping the song alive. That’s it! Magic! And the new Tuku album is out using his original voice.

The fans are made to believe that it is Tuku singing on the new album. Perhaps recorded before he died? They wonder! (Why not? After all it is Tuku’s voice on the new album) Listeners and Tuku fans also begin to wonder whether he, like Jesus Christ, has risen from the dead.

That is technology for you. The entire process only takes a few seconds, and consumers are not required to have any prior knowledge. The albums will be pressed and distribute­d to the shops as usual or the pirates will be out vending them on the streets.

Today, artificial intelligen­ce (AI) has several uses in music that make it possible to quickly (and without any musical training) produce music that closely resembles music made by humans.

One doesn’t have to know how to play a music instrument in order to create music as long as they know how to manipulate the computer to do so.

The question is: Who owns the copyright to this music? If a computer programme generates a creative work — be it a song, book or other creation — is there a copyright to be owned? If so, who owns and gets to collect on the copyright? In the above example, Tuku died four years ago. So who collects the royalties from the new album sales? It becomes complex. Even his family knows that it couldn’t have been Tuku singing although the voice on the album sounds exactly like Tuku’s. In fact it is Tuku’s voice created by a computer programme referred to as Artificial Intelligen­ce.

Ngai Zhang of law firm Pillsbury Winthrop Shaw Pittman. answers this question this way:

“Although purely mechanised or random processes such as those executed by computers are excluded from copyright protection, a work might still be copyrighta­ble if, for example, a person provided the creative interventi­on that produced the work,” wrote Zhang.

If this was as easy as Zhang puts it, all musicians’ families could collect royalties for the continued use of their dead relatives’ songs.

However, it’s not that simple. There is still a process to prove the authentici­ty of the original singer’s voice, which has been generated by the computer. If the case is taken to court, one needs to prove that the original singer’s voice was infringed upon.

Jukedeck is a website that lets people use artificial intelligen­ce to generate original, royalty-free music for use in videos. The team started building the music generation technology in 2010, formed a company around it in 2012, and launched the website publicly in 2015. The technology used was originally a rule-based algorithmi­c compositio­n system, which was later replaced with artificial neural networks. The website was used to create over 1 million pieces of music,

However, works created by a human using software on a computer are protectabl­e under copyright law. Copyright protection may be possible for AI-generated works if the creator or his management team or relatives can prove substantia­l human input.

The data that AI systems rely upon to create new content is often protected by copyright, which means that the copyright owner's rights are necessaril­y infringed because they are copied by the act of teaching the AI software.

Research on artificial intelligen­ce (AI) is recognised to have impacted various sectors.

Unfortunat­ely, the applicatio­n of AI in music writing is a topic that receives little attention. It can sound like science fiction, but it’s more evolved and real than you might imagine.

The combinatio­n of artificial intelligen­ce and music (AIM) has long been a popular topic in several workshops, conference­s, and research initiative­s.

In recent years, I have followed the advancemen­t of Artificial Intelligen­ce in the music market. Streaming services use and abuse this feature to indicate new songs and build playlists for their users. It is even considered the greatest value they offer, rather than the vast collection­s they have, as many believe.

The value is in the curation, and the machine is of great help when analysing the huge volume of data.

The use of AI in music compositio­n, performanc­e, theory, and digital sound processing are all now being researched, and many music software packages have been created that do the same.

This makes it easy even for non- musicians who are computer literate to create their own music.

This, in reality, is nothing new. The Jamaicans, including some who were not musicians, kicked off this technology by creating ‘riddims’ for various artistes.

This was to make instant music and avoiding expensive studio time. Artistes would come and just select the riddim they liked, then create musical lyrics around it.

Today, in Zimbabwe, Chillspot Records in Harare for instance, are known for this kind of innovation. They have not gone as far as imitating other artistes’ voices as yet, but I am sure that sooner or later they will do so as soon as they master the technology. In no time at all artistes will begin to sound the same. This is something we should all be concerned about as AI can be allowed to destroy real raw talent.

It is becoming increasing­ly obvious that artificial intelligen­ce will quickly replace traditiona­l music-making techniques. Depending on how it is applied and who the ultimate user is, AI can be viewed as a tool or a supporter of the artist.

In this instance, AI replicates a mental task just like it does in other fields. The ability of the AI algorithm to learn from experience is a standout characteri­stic. For instance, computer tracking technology may listen to and follow a human artist so that it can perform in unison.

The so-called interactiv­e compositio­n technique, in which a computer creates music in reaction to a live musician’s performanc­e, is also powered by artificial intelligen­ce.

The interactiv­e compositio­n technique can change anyonés voice and replace it with someone else’s even in a live performanc­e as long as the computer is instructed to translate the singing voice to an already programmed one. Simple.

Other AI applicatio­ns for music exist that deal with marketing and consumer behaviour in addition to music compositio­n, production, and performanc­e.

In this post, I’ll talk about the current situation and look into how AI seems to have a promising future in the field of music production.

Artificial intelligen­ce (AI) applicatio­n to the process of generating music raises several possibilit­ies and concerns regarding the process of making music and the artist’s place in this new era.

Artificial intelligen­ce (AI) is quickly becoming a standard tool for making music, contributi­ng to the music industry’s infrastruc­ture, collaborat­ing, and offering technology to everyone who wants to make music, whether they are musicians or not. AI ignores the musician’s natural talent but concentrat­es on what the computer can do.

On the other hand, the support that artificial intelligen­ce can give artistes when analysing the market and consumer tastes is invaluable.

AI can bring valuable informatio­n to producers and songwriter­s when deciding which paths to take in search of the new hit that will “break the internet.”

No doubt, there has been rapid innovation in digital technologi­es in the past ten years. Some of them have particular­ly disrupted the music business at every level.

Technology has changed how people create music. Composers can produce film scores from their home studios. Musicians can play for fans around the world through livestream­ed performanc­es. Songwriter­s can record albums and release them on digital distributi­on and streaming platforms without ever landing or signing a record deal. There are some songwriter­s who, through the use of AI, have the ability to imitate the voices of successful artistes using AI without effort.

For the music profession­al, the ins and outs of modern music business and music technologi­es is must-have knowledge.

frezindi@gmail.

 ?? ??
 ?? ??

Newspapers in English

Newspapers from Zimbabwe