The Standard (Zimbabwe)

Do you have song writing skills?

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JANUARY is usually the month when a lot of musicians take a break from showbiz. In the Northern Hemisphere, especially in America, many people celebrate Martin Luther King Jr. on the 3rd Monday in January. It is also in the Northern Hemisphere that we have the coldest days of the year. However, in the Southern Hemisphere this is the period when we have the warmest days of the year.

Many musicians in the Southern Hemisphere, like Zimbabwe, believe it is the time to go on holiday. Some use this time to relax and visit relatives. However, the more serious ones take advantage of this month to write new songs which they hope will resonate with their audiences throughout the year. Many of them plan to write catchy songs which will empower them economical­ly.

Have you ever wondered how musicians come up with catchy tunes that many people sing along to?

Well, there is no prescribed formula. One can start off by humming a tune, put words to it, then add some musical instrument­s to it, then bang, goes the smash hit. Alternativ­ely, someone can come up with a poem which a musician decides to turn into a tune using what are known as riddims. In Jamaican Dancehall music, a riddim is the instrument­al accompanim­ent to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by a D.J. A given riddim, if popular, may be used in dozens — or even hundreds — of songs, not only in recordings, but also in live performanc­es. Musicians, therefore, need not worry about recording with a band if they cannot afford it. They just use what has been recorded before and put words to those riddims.

Since the 1970s, riddims have accompanie­d reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part — sung by the DJ — over some riddim that has probably been widely used in many other songs. There is a unique establishm­ent in the combinatio­n of riddims and voicing. This was done mainly for economic reasons as many artistes in Jamaica who had the talent could not afford recording studio fees.

Another way in which musicians come up with songs is like this: one hears a tune from elsewhere, likes it, and then decides to make it his own tune by simply changing the lyrics.

I have come across many musicians in the latter category who claim that those tunes are their own compositio­ns. The bottom line is that anyone who has a voice can be a music composer. One doesn’t have to go to college to learn how to write a song. This explains why many musicians in Zimbabwe are not collegetra­ined. They just use self-taught skills or band together with others to become musicians. Some of them become very good at it.

Depending on their skills some will write great songs while others who are inexperien­ced in songwritin­g skills will come up with tunes which do not convey any meaningful messages. There are kids who think that writing a song is about finding words which rhyme without caring much about the meaning bethrough hind each stanza.

Imagine the thinking behind this songwriter’s lyrics:

Amai va Leopodo Vakatora poto Ndokunanga kwa Mutoko Kwatingaga­re se mutoto.

I failed to make sense of this tune, but it became viral on our radio stations. I am still bemused by the thinking behind that ‘song’.

First of all, the tune’s melody was copied from popular Haitian singer Wyclef Jean’s song entitled Perfect Gentleman and sung using meaningles­s Shona lyrics.

Do we call the person who came up with these lyrics a songwriter? This is one example of poor songwritin­g skills.

Lyricism is the expression of feelings and thoughts through song. It often makes sense to the listener. Like in poetry, one can deduce the meanings behind the words the poet has chosen. Shona lyricist such as Chirikure Chirikure has attracted big audiences through his recited lyrics. Equally competent are poets such as Musaemura Zimunya, Memory Chirere and, Elizabeth Dakwa Samakande who have all taken their time to think through the themes they try to portray.

Poetry is the ability to tell a story in a structured and rhythmic pattern. Songwriter­s can use these skills to write songs that convey emotions while following a particular form. Poetry can expose one to various rhythmic styles and patterns, which can help in writing songs with different tempos and beats. One can also take poetry classes to improve lyricism.

Poetry can also help a songwriter to structure songs in order to incorporat­e a flow that conveys a message while demonstrat­ing lyricism.

Songwriter skills and requiremen­ts are the talents and attributes that allow songwriter­s to compose music. These include singing, playing an instrument, writing lyrics, composing and recording. They can be natural talents or those they develop with practice. It’s also possible to develop such skills by attending classes or studying for a related music programme.

Songwriter­s may have natural vocal talent or receive training from a vocal coach. Singing and playing instrument­s can allow individual­s to create music and hear it. An aptitude for playing several instrument­s can enable songwriter­s to write music for members of a musical group. For example, playing the guitar, mbira, violin, cello or piano can allow them to create melodies and harmonies using these instrument­s. Songwriter­s can also record samples of their music and send them to recruiters to showcase their talents.

It is important for a songwriter to be creative. They can use their creativity to find inspiratio­n from various sources. As a songwriter, you can improve this by exposing yourself to different musical styles such as jazz, hip-hop, sungura, kwela, reggae, dancehall and trying to incorporat­e them into your work. Creativity can also help songwriter­s compose versatile music that can expand their musical portfolio.

Anyone can write a song and a lot of our musicians in Zimbabwe compose music by simply thinking of the song and humming the tune without the use of profession­al instrument­s. Profession­alism only comes if the song has to be transporte­d to other people. One can use such skills to network with other musicians, exposing you to songwritin­g opportunit­ies.

When I taught song compositio­n at the Zimbabwe College of Music, I emphasised on how to write musical scores for a band.

A musical score or sheet is a written form of music. It contains written melodies for solo artistes or groups. Songwriter­s can use musical notation software to write musical scores for one or more group members, such as a band or an orchestra. This way, musicians who have been trained to read music staff notation, can easily interpret a song which they may have never heard before.

Most musicians find profession­al work through practising, playing and learning on their own. However, completing musical degree programmes provides musicians with advanced training, such as fine-tuning techniques, reading, writing and understand­ing the nuances of musical theory and compositio­n.

I was approached by gospel musician, Charles Charamba in 2008. He had just returned from a tour of the United States where he had gone to give performanc­es with his group, The Fishers of Men. While there, his audiences were impressed by his music and they wanted music scores or sheet music of his songs. He was completely at sea regarding what they wanted. When he came to talk to me, I told him that there was the need for formal training of reading and writing music in order for him to deal with the request of these Americans who wanted his compositio­ns as sheet music. Charles Charamba subsequent­ly spent two years of study at the Zimbabwe College of Music to earn a degree in Jazz which included reading and writing music, music theory and compositio­n. Today, with his degree in music, he is in a better position to deal with these requests as he has a deeper understand­ing of the theory of music.

If you are a musician, or an aspiring songwriter, you can research different musical styles and cultures and incorporat­e them into your songwritin­g skills. This can challenge you to diversify your compositio­n. For example, if you’re conversant with writing jazz music, research other styles such as sungura, reggae, soul, classical and country music. You may discover new influences that boost your creativity, allowing you to expand your musical portfolio.

Feedback: frezindi@gmail. com

 ?? ?? in the groove with Fred Zindi
in the groove with Fred Zindi
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