The Standard (Zimbabwe)

'Rhymes of resilience: Zimbabwean poetry since independen­ce'

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APRIL is also known as poetry month. It is a month that provides an opportunit­y to promote the art of poetry and raise awareness about its value and significan­ce in society.

By dedicating a whole month to celebratin­g poetry, individual­s and organisati­ons can highlight the beauty, power, and diversity of poetic expression.

Poetry month encourages people of all ages to engage with poetry and explore their own creative potential.

As I am also a poet and spoken word artiste, this is a month that pushes me to write something that shows how the poetic voices continue to inspire and speak out on the realities and also our fiction ridden social fabric.

Through workshops, readings, and events, individual­s are inspired to write and share their own poetry, fostering a culture of creativity and self-expression.

Poetry holds a significan­t place in Zimbabwe's history, particular­ly in its journey to independen­ce and the preservati­on of its heritage.

Zimbabwean poetry has often celebrated the heroes and heroines who fought for independen­ce and contribute­d to the nation's cultural heritage.

Poets have honoured figures such as Joshua Nkomo, Herbert Chitepo and Josiah Tongogara, commemorat­ing their sacrifices and contributi­ons to the liberation struggle through verse.

Poetry has served as a medium for reflecting on Zimbabwe's history and collective memory, preserving the stories and experience­s of past generation­s.

Poets have revisited significan­t events such as the Chimurenga wars, the Lancaster House Agreement, and the attainment of independen­ce, offering insights into their impact on Zimbabwean society and identity.

The late Vice President Simon Muzenda was a poet in his own right performing the poem “Nehanda Nyakasikan­a”.

Zimbabwean poetry often explores and celebrates the country's rich cultural traditions, including music, dance, folklore, and oral storytelli­ng.

I like how the poetry I have recorded has infused different musical and cinematic sounds which bring an essence of reality to the poetic expression. It is an infusion of the different cultural traditions that I have also experience­d which I poetically tell.

The many poets I have seen draw inspiratio­n from Shona and its different dialects, Ndebele, and other indigenous languages like Nambya, Nyanja, Tonga ,including sign language, while incorporat­ing traditiona­l motifs, rhythms, and imagery into their works to convey a sense of cultural continuity and pride.

In the post-independen­ce era, Zimbabwean poets have continued to engage with the social, political, and economic realities of the country, offering critical perspectiv­es on issues such as governance, corruption, inequality, and human rights.

Poets like Chenjerai Hove and Chirikure Chirikure have used their poetry to hold leaders accountabl­e and advocate for social justice.

The resilience of Zimbabwean people in the face of colonisati­on, oppression, and socio-political challenges is a recurring theme, reflecting a deep sense of cultural pride and identity.

Poets should use their craft to interrogat­e power dynamics, political oppression, and social injustices in Zimbabwean society.

Through vivid imagery, metaphor, and symbolism, they critique corruption, authoritar­ianism, and human rights abuses, highlighti­ng the resilience of ordinary citizens in the face of adversity.

I am now curious to see more Zimbabwean poetry that will explore the questions of identity, belonging, and diasporic experience­s, reflecting on the complexiti­es of post-colonial nationhood, cultural identity and socio-economic challenges.

Radical poets interrogat­e issues of race, ethnicity, gender, and class, celebratin­g the resilience of diverse communitie­s and challengin­g hegemonic narratives of exclusion and marginalis­ation.

This is a path that for contempora­ry poets is a challenge due to the fear of repression and suppressio­n and imprisonme­nt from the repressive state apparatus.

Despite the challenges that poets may face, there is the need to express a sense of hope, resilience and solidarity in their work.

As an edutainmen­t tool, poetry pushes for acts of resilience and the potential for positive change in the context of our different communitie­s in Zimbabwe.

Zimbabwean poets experiment with various forms, styles, and techniques to convey the complexiti­es of societal dynamics.

From traditiona­l poetic forms such as the Shona praise poetry (nhemamusas­a) to contempora­ry free verse and performanc­e poetry, poets push the boundaries of artistic expression, reflecting the diverse voices and experience­s within Zimbabwean society.

Ndebele poetry is a vibrant and integral part of Ndebele culture, serving as a means of expression, communicat­ion, and cultural preservati­on for the Ndebele people. Through their poetry, Ndebele poets continue to celebrate their heritage, inspire their community, and connect with audiences both within and beyond their cultural borders.

Ndebele poetry often employs vivid symbolism and imagery drawn from nature, mythology, and everyday life. Poets use metaphor, simile, and allegory to convey deeper meanings and evoke emotional responses in listeners.

Ndebele poetry is characteri­sed by rhythmic patterns and repetitive phrases or refrains, which add musicality and cadence to the verse. The use of rhythm and repetition enhances the oral performanc­e of the poetry, making it engaging and memorable for listeners.

Poetry among the Nambya, Nyanja, and Tonga people is primarily passed down through oral tradition. Poems are recited, chanted, or sung during communal gatherings, ceremonies, and rituals, preserving the cultural heritage and history of the respective communitie­s.

Poetry is typically composed in the indigenous languages of the Nambya, Nyanja, and Tonga people, adding authentici­ty and cultural resonance to the verse. The use of local languages captures the nuances of everyday speech and expression, making the poetry accessible and relatable to community members.

Poetry often explores themes of nature, spirituali­ty, and the relationsh­ip between humans and the natural world. Poets draw inspiratio­n from the landscapes, flora, and fauna of their surroundin­gs, using vivid imagery and symbolism to convey deeper meanings and connection­s to the spiritual realm.

Zimbabwean poets have to play a crucial role in using poetry as a gender advocacy tool, leveraging their creative talents and platforms to challenge gender norms, amplify women's voices, celebrate femininity and strength, promote empowermen­t and self-expression, foster solidarity and support, and inspire action and change toward a more equitable and inclusive society.

Poetry serves as a platform for Zimbabwean poets to challenge patriarcha­l norms and attitudes that perpetuate gender inequality and discrimina­tion. Poets should critique traditiona­l gender roles, expectatio­ns, and power structures, advocating for greater gender equity and respect for women's rights and autonomy.

Poetry serves as a medium for promoting dialogue, reconcilia­tion, and healing in Zimbabwean society. Therefore, poets should engage in conversati­ons about the country's past, present, and future, fostering empathy, understand­ing, and empathy across divides.

Through their work, they should encourage collective reflection, acknowledg­ment of past injustices, and envisionin­g a more inclusive and equitable future for all Zimbabwean­s.

The "rhymes of resilience" in Zimbabwean poetry have influenced the aesthetics of poetry by engaging with history and heritage, interrogat­ing power and politics, exploring identity and belonging, expressing hope and solidarity, innovating in form and style, amplifying marginaliz­ed voices, and promoting dialogue and healing in Zimbabwean society.

Through their poetry, Zimbabwean poets should continue to shape the cultural landscape and contribute to the ongoing conversati­ons about resilience, resistance, and transforma­tion in the country.

Raymond Millagre Langa is a musician, poet, orator, independen­t researcher and founder of Indebo edutainmen­t Trust. You can follow him on Facebook @Millagre Ray Langa, on X you can follow on #Millagre Langa, email. millagrepa­pito@gmail. com or indebotrus­t@gmail.com

 ?? ?? edutainmen­t mix with Raymond Millagre Langa
edutainmen­t mix with Raymond Millagre Langa

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