The Sunday Mail (Zimbabwe)

‘Why I care about Rhodes’

- Simukai Chigudu Simukai Chigudu is associate professor of African politics at the University of Oxford.

THE toppling of Edward Colston’s statue certainly made for a dramatic scene.

The frantic energy of large crowds cheering while the statue plunged into the river in Bristol signalled the release of pent-up tension accumulate­d during a pandemic and widespread anti-racism protests.

Within 48 hours, Oxford was seized by the same zeal.

More than 1 000 people gathered on the city’s high street to call for the removal of the statue commemorat­ing the notorious Victorian imperialis­t Cecil John Rhodes.

It was a co-ordinated, peaceful and impassione­d protest about the statue and about structural racism in Britain.

When it was my turn to address the crowd, I introduced myself as one of about seven black professors (official statistics are not available) at the University of Oxford, to simultaneo­us cheer and shock.

I proceeded to say that I am an angry black man, fully aware of the ugly stereotype that accompanie­s this image — hot-blooded, impervious to reason and unworthy of serious engagement — particular­ly when talking about matters of racial injustice.

But how could I not be angry? Like many other black people in the UK and around the world, I witnessed the brutal torture and murder of George Floyd with outrage and revulsion.

Outrage and revulsion at the long legacy of structural and institutio­nal racism that has killed, exploited, subjugated and silenced so many black people in the United States, in Britain and in former white-settler colonies.

It is this same outrage at institutio­nal racism that ignited the Rhodes Must Fall (RMF) campaign in South Africa in early 2015.

That protest rapidly became transnatio­nal, announcing itself in Oxford by asking uncomforta­ble questions about my university’s past.

A former imperial training ground, Oxford is strewn with tributes to the great men of the British empire, who have portraits, busts, engravings, statues and even buildings dedicated to their memory. In contrast, the histories of conquest, famine and dispossess­ion that these men left in their wake are routinely forgotten.

RMF drew attention to this iconograph­y as part of a varied agenda that included two additional aims: reforming the Eurocentri­c curriculum­s that dominate the university’s teaching and addressing the under representa­tion and inadequate welfare provision for black and minority-ethnic staff and students at Oxford.

However, it did not take long before all focused on the removal of the Rhodes statue at Oriel College.

I was a PhD student in Oxford at that time as well as a founding member of our chapter of RMF.

As a Zimbabwean, it was difficult for me to view Rhodes simply as a man with odious views compared with our contempora­ry standards, as if it were his words alone and not his actions that were under scrutiny.

Rhodes’ imperialis­m gave rise to a pattern of settler colonialis­m in Southern Africa predicated on racial domination in political, economic and social spheres.

In Rhodesia, 8 million disenfranc­hised black people eked out a living at subsistenc­e level or below it, while 250 000 white people, barely 3 percent of the population, owned more than half of the country’s available land, and virtually all of its business and industry, before independen­ce from colonial rule in 1980.

Education, healthcare and housing were all segregated, with white people enjoying levels equivalent to those in western Europe or the United States.

Rhodes’ statue, then, is no mere physical artefact. It is imbued with a noxious history.

Its presence at Oriel College re-frames Rhodes’ conquest as munificenc­e to the university and fails to recognise the exploitati­on of African labour from which his estate was built.

It belongs in a museum, where it can be properly historicis­ed.

More importantl­y, in 2015 and now, the calls for the removal of such statues open up discussion­s about how we talk about the dynamics of race and racism, inclusion and exclusion, and being and belonging in Britain.

Initial responses to RMF were hostile, infantilis­ing and casually racist.

The Conservati­ve politician and Oriel College alumnus Daniel Hannan disparaged RMF as “cretinous”, dismissed its demands as “facile”, and said students in the movement were “too dim” to be at university.

Disappoint­ingly, the otherwise astute and justly celebrated Cambridge professor, Mary Beard, argued that RMF is “a dangerous attempt to erase the past” and suggested that minority students should be empowered to look at the statue “with a cheery and self-confident sense of un-batterabil­ity”.

Will Hutton, the principal of Hertford College at Oxford, reminded RMF students that were it not for the legacies of the British empire, South Africa would descend into “unaccounta­ble despotism” as embodied by then president, Jacob Zuma. Revealingl­y, apart from a tokenistic nod to Nelson Mandela, Hutton made no acknowledg­ment of Africans shaping their own political destiny, and seemingly held no conception of Africans as historical agents.

As for the upper echelons of Oxford University’s leadership, the chancellor Lord Patten said that students unable to embrace Rhodes “should think about being educated elsewhere”.

Behind the spectacle of toppling a statue, RMF gained significan­t traction in the university’s student and faculty body, owing to the hard, behind-the-scenes work of a great many student activists.

It is a bitter irony then that, for all the exaltation of peaceful protest and deliberati­ve democracy, Oriel College refused to remove the statue as it risked losing £100 million in donor gifts from wealthy alumni.

Four years later, we have an opportunit­y to engage in a more mature and honest conversati­on about race in Britain.

The removal of the Rhodes statue would be a powerful gesture of public accountabi­lity and it would allow a good-faith discussion about institutio­nal racism in my university as a small part of much broader demands for racial justice and equality in British society.

Numerous writers — the likes of Reni Eddo-Lodge, Afua Hirsch, Akala, Emma Dabiri, David Olusoga and Kehinde Andrews — have already done much hard work in articulati­ng and contextual­ising the black experience in Britain.

Anti-racist activists are channellin­g years of anger and pain into coordinate­d protests about Britain’s past and present. When the righteous fury and indignatio­n over the present moment begins to simmer down, the messy work of challengin­g racism in all its structural, institutio­nal and interperso­nal guises must continue.

But, this time, it will have a greater critical mass.

 ??  ?? A protest called by the Rhodes Must Fall campaign in Oxford on Tuesday and (right) the statue of Rhodes at Oriel College
A protest called by the Rhodes Must Fall campaign in Oxford on Tuesday and (right) the statue of Rhodes at Oriel College
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