The Zimbabwe Independent

Performanc­e-based fees in the pension fund industry

- Gandidzanw­a and mukadira are actuaries at Risk and Investment management Consulting actuaries. gandy@rimcasolut­ions.com itaim@ rimcasolut­ions.com*

From A14

This asymmetry may provide an incentive for the manager to add to the risk of the portfolio by “leveraging up” the underlying portfolio positions.

There is also the question around who designs the performanc­e fee models? These models are generally structured by the asset managers themselves and are only offered when a manager is confident that the arrangemen­t will result in higher fees than the alternativ­e fixed-fee rate.

A more complicate­d issue pertains to asset manager behaving in ways that are not optimal for the investor. First, the manager is motivated to take excessive risk when “behind” part-way through the year, having no chance to earn a performanc­e fee except by making risky investment­s.

Second, the manager may be tempted to “shut down” and invest in riskless strategies when “ahead” part-way through the year, so he can lock in the performanc­e fee.

If performanc­e fees are calculated over a period, which is too short, then fees could be levied on performanc­e that was not a result of the manager’s efforts, but from random short-term market movements. Furthermor­e, the investor runs the risk of a “heads I win, tails you lose” situation when performanc­e fees are collected immediatel­y after outperform­ance, but not given back in periods of underperfo­rmance.

Still further, fees calculated over “rolling” periods have the drawback that recent investors could be charged fees for returns that accrued to the portfolio in the past, but not to their investment.

Of course, the list would not be complete without mentioning the real “joker” in the game – and that is, performanc­e fees can still be charged even if portfolios deliver negative performanc­e.

For instance, if a manager uses the Zimbabwe Stock Exchange All Share Index as its benchmark and the index falls 20%, the portfolio will still have beaten the benchmark and can still charge performanc­e fees if it only falls 19%.

This means that investors can be paying performanc­e fees, even though they are actually worse off. That brings into question the assertion from investment managers that performanc­e fees ensure that investors only pay “when they can afford to”.

Performanc­e fees, where they have been more popular, have also recently become topical among regulators and industry bodies with some regulators highlighti­ng such fees as an area for attention. This is largely as a result, in most instances, of them being poorly designed and too complex for clients to understand.

Limited disclosure and a lack of transparen­cy have also been highlighte­d among the major pitfalls of these fee models.

The solution is in the design

We will be the first ones to admit, fair and effective implementa­tion of performanc­ebased fees is quite challengin­g. But, we should not despair and throw the baby away with the bath water.

There are ways to fix the bulk of the issues highlighte­d here.

By co-designing the performanc­ebased fee model with their asset managers, trustees, guided by their investment consultant­s, can ensure that they settle for a fair and equitable performanc­e-based fee structure.

The starting point is establishi­ng what the base fee should be. This must be much lower than the fixed fee the manager would have charged on a flat-fee model.

That then is immediatel­y followed with a focus on what the manager’s proposed participat­ion rate is once an agreed upon hurdle rate has been beaten.

The simple rule of thumb is that the base fee and the applicable participat­ion rate should be such that there is a 50:50 chance that the manager’s aggregate fees from a performanc­e-based fee charging model will be above or below a given, and acceptable, fixed fee.

With that agreed on, the real craftsmans­hip of performanc­e-based fee designing begins. This, of course, assumes that an appropriat­e benchmark has already been agreed on too.

Among the critical issues of this design work is addressing the thorny issue of the asymmetry of fees. The fee structure should be such that the manager participat­es both in the upside as well as in the downside – that is, not only earns a performanc­e bonus when he outperform­s, but also gives back to the portfolio an equitable fee in the year he underperfo­rms.

Mechanisms to address this would include providing a clear position on when any performanc­e bonuses accrued are actually crystallis­ed.

Added to that, a high watermark provision ensures that the manager does not get remunerate­d twice for the same outperform­ance as they recover from the bottom following a period of losses.

Trustees will also need to ask how frequently the performanc­e is calculated. Investing is a long-term commitment and investment skill, as opposed to luck, can only be properly determined over fairly long periods of time – three years being considered an acceptable minimum.

Performanc­e, annualised over such a period or longer ensures outperform­ance is tempered and trustees are less likely to reward lucky outperform­ance or too easily forgive under-performanc­e.

Other focus areas include establishi­ng whether the performanc­e fee is calculated before or after the base fee has been deducted, and whether a cap is applicable.

A follow up question would be, if a cap is applicable, is it applied to the performanc­e fee in isolation or whether it is applicable to the base fee and the performanc­e fee in aggregate.

A cap serves to ensure that an asset manager will not simply pursue performanc­e fees “at all costs”. They are also a good way of avoiding the rewarding of lucky oversized out-performanc­e.

Where a manager proposes a performanc­e-based fee, it is good practice for trustees to ask if there is a flat-fee alternativ­e. Ifnot from the same manager, then from other managers offering comparable portfolios.

Trustees need to determine a breakeven point, or “sweet spot”, at which they would be indifferen­t with either a flat fixed fee or a performanc­e-based fee.

Once they have determined this, it then becomes a question of how exactly they would want to ensure that the asset manager “sweats” for his fees.

Co-designing the fee structure with their asset managers automatica­lly addresses the issue of transparen­cy too as trustees would have been a party to designing the model based on which they then remunerate the manager.

This too will ensure that trustees only settle for a model that is simple and understand­able to both themselves as well as their members.

Conclusion

Performanc­e-based fee structures remain one of the most powerful tools to comprehens­ively address investor-manager agency problems.

They seek to compensate an active investment manager only when he has genuinely added value to an investor’s portfolio. That the practice has been flawed does not make the principle wrong.

It is the practice instead that simply needs to change — and all that it requires is for those on either side of the capital-allocation fence to come together and design models that are fair and equitable to both the investment managers and the pension funds.

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