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Inuit Art Quarterly
Inuit Art Quarterly

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Inuit Art Quarterly, 15 三月 2026

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本期內容

ArticleTangled Hair and Severed Fin­gers Nuyap­piktuq ammalu Nakasimayut Kul­lua, tikkia iqiqqualu

In this Fea­ture, IAF Taut­tunnguaqti Napatsi Fol­ger exam­ines depic­tions of Nuliajuk over time and how they have changed along with cul­tural shifts. She has many names: Nuliajuk, Sedna, Uinigu­ma­suit­tuq, Takan­naaluk, Kan­naaluk, Taliil­ajuq,...

Tangled Hair and Severed Fin­gers Nuyap­piktuq ammalu Nakasimayut Kul­lua, tikkia iqiqqualu

ArticleRefram­ing Per­spect­ives: The Trans­form­at­ive Power of Art

In this Fea­ture, IAQ staff ana­lyze works by four cir­cum­polar Indi­gen­ous artists, rumin­at­ing on the ways an art­work has altered their per­spect­ives on socio-polit­ical issues, includ­ing the effects of colo­ni­al­ism on cul­tural iden­tity and...

Refram­ing Per­spect­ives: The Trans­form­at­ive Power of Art

ArticleThe Sub­vers­ive Power of Linocut Print­mak­ing

Invest­ig­at­ing how the block print­ing tech­nique is trans­form­ing Inuit print­mak­ing for a new gen­er­a­tion The Kinngait, NU, print shop and print­makers are well known and pop­u­lar world­wide, with a col­lec­tion of litho­graph, sten­cil,...

The Sub­vers­ive Power of Linocut Print­mak­ing

ArticleUntitled Vic­toria Mamnguqsu­a­luk

Vic­toria Mamnguqsu­a­luk (1930–2016) is well known for trans­lat­ing Inuit oral stor­ies into visual expres­sions such as wall­hangings, draw­ings and prints. This untitled wall­hanging tells a story, and the vibrant col­ours and tex­tures of the...

Untitled Vic­toria Mamnguqsu­a­luk