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Inuit Art Quarterly
Inuit Art Quarterly

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單期刊物

Inuit Art Quarterly, 15 九月 2026

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本期內容

Articleᓴᓇᙳᐊᒐᑦ ᐅᓂᒃᑳᖏᑦ

ᑎᑎᕋᖅᑕᐅᔪᖅ ᓇᐸᑦᓯ ᕗᓪᔭᒧᑦ Man­asie Akpaliapik’s shape-driven prac­tice ᒫᓇᓯ ᐊᒃᐸᓕᐊᐱᐅᑉ ᓴᓇᐅᒪᔭᓂᒃᐊᔭᐅᕆᔭᖅ ᐊᑐᐋᒐᕆᔭᓄᑦ ᐆᒪᐅᑉ ᓇᐸᑦᓯ ᕗᓪᔭ

ᓴᓇᙳᐊᒐᑦ ᐅᓂᒃᑳᖏᑦ

ArticleQil­la­niq cur­ated by

Ooleepeeka Eegeesiak, Liisa-Rávná Fin­bog/Rámavuol Liisa-Rávdná, Nadia Jack­in­sky-Sethi, Taqra­lik Part­ridge, Jocelyn Piirainen, and Laakku­luk Wil­li­am­son

Qil­la­niq cur­ated by

ArticleListen­ing to the Mater­ial

Liisa-Rávná Fin­bog/ Rámavuol Liisa-Rávdná Shape, form, and duodji in the art of John Savio

Listen­ing to the Mater­ial

ArticleAbstract Forms

by Inuit artists in the canon of Mod­ern art

Abstract Forms

ArticleTo shape is fun­da­mental to the cre­at­ive pro­cess. It is how abstract ideas become tan­gible, regard­less of form. Inuit artists have always shaped ways for us to under­stand our shared human­ity.

To shape is fun­da­mental to the cre­at­ive pro­cess. It is how abstract ideas become tan­gible, regard­less of form. Inuit artists have always shaped ways for us to under­stand our shared human­ity.

ArticleAnnie Pil­lak­tuaq

Bold con­trast are the first words that Annie Pil­lak­tuaq’s The Sound of Music (2019) evokes for me. Her rich col­our choices and clearly defined lines make the abstract shapes of the face and back­ground pop. Pil­lak­tuaq is a visual artist and...

Annie Pil­lak­tuaq