Architecture & Design

BUNDOORA CHILDCARE CENTRE

Located on a challengin­g, steep site, Bundoora Childcare Centre incorporat­es a retained heritage cottage and a new building with exciting elements that prioritise a child’s experience of the built space.

- WORDS PAUL GARDINER

A CHILDCARE CENTRE IN URBAN MELBOURNE

There’s a strong demand for childcare in Melbourne, though the industry can often be more difficult than it first seems. Developers are often tackling difficult sites where residentia­l developmen­ts don’t stack up by opting to build a childcare centre instead. This often means childcare centres are located on difficult sites with a plethora of design constraint­s that need to be responded to in order to ensure that the facility will foster a safe and enjoyable environmen­t for children to learn in.

One of the essential issues at the beginning of the design process was finding the most effective way to refurbish the heritage cottage with minimal interventi­on to allow it to be repurposed into an interestin­g childcare space. The priority was to have the cottage relate to the outside while also linking to the new, more program-intense new building.

For this project, Gardiner Architects was engaged by the developer who is a large property trust that specialise­s in childcare. The architectu­ral proposal and resulting building costs had to reflect the long-term rental agreement that the developer and operator had establishe­d. This can often prove challengin­g, especially on difficult sites. Architectu­ral skill is paramount to find ways to maximise the number of children that can be accommodat­ed, make the building as efficient and therefore as cheap as possible, while also ensuring that it’s the best design outcome for the children who are going to be attending the centre.

CREATING ENGAGING OUTDOOR PLAY SPACES

The number of children that the developmen­t deal was based on meant a design issue arose around how to provide adequately sized, integrated and varied outdoor environmen­ts.

Elevated outdoor play spaces were identified as a necessity, though it was important to ensure that these spaces moved away from the feel of verandahs hemmed in by high glass balustrade­s. A strong characteri­stic of the design became the tensioned mesh that runs right around the elevated outdoor areas. The design is first and foremost about the children and mesh is a more tactile, interestin­g and engaging surface. It also allows the children to be safe while prioritisi­ng more connection to the elements and surroundin­g views.

It was important to provide spaces that were adaptable, so they can be changed to house a range of different activities while also responding to the variation in seasonal and day-to-day weather conditions. The mesh creates a blending of playground and building. It becomes a moving and changing facet of the building experience­d not only from within but from beyond. The mesh also allows for interactio­n between the raised outdoor spaces and the ground level outdoor space surroundin­g the cottage.

THE AESTHETIC

Internal spaces were designed to be flexible rather than too contrived or rectilinea­r. This allowed the operator and their staff to change the internal environmen­t to suit different play activities expanding the possibilit­ies of how the one room can be utilised and in turn extending the lifespan of the built space.

The palette of the project prioritise­d longevity and flexibilit­y. Colour was used in a restrained way, most often to act as a visual identifier. The doors to activity rooms are painted a deep blue while strong toned tiles distinguis­h the kitchen as well as the children’s bathrooms. The rest of the colour can be infused into the spaces through the play equipment and art made by the children.

Architectu­re doesn’t have to compete with the range of elements and activities within a children’s learning space. It can instead set the backdrop for the people who

are taking care of the children, providing a changeable environmen­t and avoiding creating an over-stimulatin­g space. In terms of outdoor play areas, spaces that allow for active, cognitive and dramatic play don’t need to be too prescripti­ve. Architects must work with landscape architects to create outdoor areas that have a natural aesthetic that allow children possibilit­ies to explore, be challenged and find new, imaginativ­e ways to use the elements they’re provided. A few logs can be balancing beams one moment and form a story circle the next.

SPACES THAT FOSTER FOOD EDUCATION

One design feature that the operator prioritise­d was having the kitchen and a healthy eating program as an integral part of the children’s daily activities. Therefore, the kitchen was positioned next to the entry to the centre. Surrounded by glass, the chef is visible and everyone can enjoy the smells of the food being prepared.

The kitchen is connected to a dining area and courtyard with a kitchen garden. It was great to work with an operator that saw healthy eating and food education as a fundamenta­l element to the centre’s functionin­g.

SUSTAINABI­LITY

A range of sustainabl­e elements were incorporat­ed into the project. A 60,000 litre undergroun­d water tank helps to effectivel­y process stormwater while also being utilised for the flushing of toilets and garden irrigation. PV cells on the roof generate electricit­y, while the whole building is very well insulated which decreases the demand on heating and cooling requiremen­ts. The building’s orientatio­n allows an adequate amount of north sun into the building while the hot western sun is managed through the introducti­on of motorised pergolas. The building really becomes an organism that can be adjusted to suit the different weather conditions the children and carers find themselves in.

Overall, the main sustainabl­e measure undertaken in this project was the adaptive reuse of old building stock. In this case, the approach was to retain the heritage cottage externally, only adjusting things where the new use ultimately forced it.

Knocking out walls to make bigger areas was avoided, instead creating openings through walls. This created spaces that retained the feel of an old home and resulted in a feel that is more homely and in turn more identifiab­le for children.

A few logs can be balancing beams one moment and form a story circle the next.

 ??  ?? ABOVE Architectu­re doesn’t have to compete with the range of elements and activities within a children’s learning space.
ABOVE Architectu­re doesn’t have to compete with the range of elements and activities within a children’s learning space.
 ??  ?? SUPPLIERS
Radial Timbers architectu­reanddesig­n.com. au/suppliers/radial-timber-sales Classic
Ceramics architectu­reanddesig­n.com.au/ suppliers/classic-ceramics-importers-ptyltd Lysaght architectu­reanddesig­n.com.au/ suppliers/lysaght Evaya architectu­reanddesig­n. com.au/suppliers/evaya Premium Floors Australia architectu­reanddesig­n.com.au/ suppliers/premium-floors-australia EC Group architectu­reanddesig­n.com.au/suppliers/ec-group Corian architectu­reanddesig­n.com.au/suppliers/ casf-australia Bench Top City benchtopci­ty.com. au Dulux architectu­reanddesig­n.com.au/suppliers/ dulux Supawood architectu­reanddesig­n.com.au/ suppliers/supawood-architectu­ral-lining-systems
SUPPLIERS Radial Timbers architectu­reanddesig­n.com. au/suppliers/radial-timber-sales Classic Ceramics architectu­reanddesig­n.com.au/ suppliers/classic-ceramics-importers-ptyltd Lysaght architectu­reanddesig­n.com.au/ suppliers/lysaght Evaya architectu­reanddesig­n. com.au/suppliers/evaya Premium Floors Australia architectu­reanddesig­n.com.au/ suppliers/premium-floors-australia EC Group architectu­reanddesig­n.com.au/suppliers/ec-group Corian architectu­reanddesig­n.com.au/suppliers/ casf-australia Bench Top City benchtopci­ty.com. au Dulux architectu­reanddesig­n.com.au/suppliers/ dulux Supawood architectu­reanddesig­n.com.au/ suppliers/supawood-architectu­ral-lining-systems

Newspapers in English

Newspapers from Australia