Architecture & Design

LIGHTING

Just as humans have evolved, so have our light sources.

- WORDS STEPHANIE STEFANOVIC

Fire was our first artificial light source and a very important survival tool. From here we moved onto other technologi­es such as oil and gas lamps, incandesce­nt lighting, fluorescen­t lighting and eventually LED lighting.

While we were able to spend considerab­le time in the presence of a natural flame without ill effect, the same cannot often be said of the modern lighting that permeates our homes, workplaces, schools and healthcare facilities.

With most people spending the majority of their time indoors, this becomes a big problem. Poor lighting can cause any number of ailments, not limited to eye strain and vision damage, fatigue, decreased mood and compromise­d healing ability.

Not to mention the sustainabi­lity issues around lighting, such as excess energy use and the presence of harmful toxins in some lights that can make them very difficult to dispose of.

Fortunatel­y, there is research around artificial lighting and its impact on humans and the environmen­t, with lighting designers beginning to take this into considerat­ion.

GOING BACK TO NATURE

While ‘nature’ is where we started, somewhere along the way we became sidetracke­d, preoccupie­d with technologi­cal advancemen­t no matter the cost. This has resulted in people having a serious disconnect from nature, and from their natural body clock. Circadian lighting seeks to correct this.

What is circadian lighting? In the words of circadian rhythm expert Sean Cain, an associate professor at Monash University, circadian lighting is a technology that takes into account the body’s internal clock.

According to Cain, there are various internal clocks throughout the body, and at the base of the human brain there is an actual physical clock that keeps 24-hour time. The only problem is that this sense of time is determined through the lighting in the outside world – something we don’t always have access to.

The colour and intensity of light has a significan­t effect on our internal clock.

“About 20 years ago, we discovered that particular light-sensitive cells in the eye contain melanopsin, which responds to blue light,” says Cain.

“You don’t need very much of it to trick your clock into thinking it’s daytime when it’s night. On the other hand, [melanopsin] is quite insensitiv­e to red or orange light.

“Now we’re discoverin­g new things like those photorecep­tive cells … feed into areas of the brain that are involved in mood regulation, alertness, fear, etc. More and more, the picture is evolving that light is more important than we thought.”

In fact, exposure to poor lighting can lead to low-grade jet lag, says Cain.

“When you’re misaligned and your rhythms are messed up, it results in quite a poor mood. We think in general a lot of people in the world – because of the bad lighting in their home – are experienci­ng a low-grade general jet lag.”

This is where Dyson’s new Lightcycle technology come in.

The first of its kind on the market, Lightcycle uses a unique time, date and location-driven algorithm to calculate the colour temperatur­e and brightness of daylight anywhere in the world at any given moment. This is supported by data from over one million satellite-based measuremen­ts of light conditions in the earth’s atmosphere at different times of the day.

“We define natural light as what the light looks like outside on a clear day,” explains Will Darvill, design leader, lighting category at Dyson.

The idea behind this is avoiding instances of Seasonal Affective Disorder (SAD), a depressive condition suffered by people around the world who are exposed to limited sunlight and an excess of dark or cloudy days.

Lightcycle makes use of three warm and three cool LEDS, which work together to simulate daylight colour temperatur­es from 2,700-6,500 Kelvin.

From a sustainabi­lity perspectiv­e, Dyson says it has ensured that the quality of Lightcycle lights can be maintained for 60 years via the use of a technology most often used in satellites. A vacuum-sealed copper tube works to draw heat away, while inside a drop of water evaporates, dissipatin­g heat along the pipe as it condenses, before returning to the LEDS by capillary action. This provides a non-stop, energy-free cooling cycle that allows the LEDS to maintain their brightness and light quality.

As far as energy savings, this largely depends on how Lightcycle is used, but “the savings can be huge”, says Darvill.

“The amount of times I see office lighting or task lighting on in offices with no one there… It’s shameful really because it’s just wasted energy.”

The newly-released product is currently being trialled in a medical facility.

“We’re actually starting a clinical trial at a hospital in their intensive care unit because this intensive care unit is entirely sealed off from natural light,” says Darvill.

“So both the patients and the doctors and nurses there have absolutely no idea if they’re on night shift or what time of day it is.

“I think there’s a case for this technology absolutely everywhere – wherever we are living, working, existing as a race. We should have access to natural lighting or we should have artificial lighting that is not disrupting our body clock.”

OPTIMISING LED LIGHTS

There have been improvemen­ts to LED lights across the board, with designers seeking to tackle human health and sustainabi­lity all-in-one.

Another newly released product is GLG’S Momentum 1, which the company says is a sustainabi­lity compliant modular troffer suited to commercial spaces.

Efficient at up to 130 lumens per watt, Momentum 1 reduces energy by at least 50 percent compared to convention­al lighting systems, according to GLG. The use of lighting controls such as the company’s Diginet Rapix system can further reduce energy by another 20 percent, through use of features like motion detection, scheduling and daylight harvesting.

Yet another innovation in LED is Trend Lighting’s new Platinum range, which includes eight luminaires with ceramic Nichia LED chips, a flicker-free driver and high light efficiency reflector. According to Trend, each luminaire delivers low-glare light and high colour fidelity with a Colour Rending Index (CRI) of 94+ and a high R9 value of 50+.

Glare is one of the main issues these lights seek to correct as it impairs visibility and can result in eye strain, headaches and blurred vision. Surface Mount Device (SMD) LED lights that use opaque diffusers are especially prone to creating glare. For this reason, Trend’s LED downlights have been designed as Chip On Board (COB) with clear lenses, producing lowglare, comfortabl­e lighting.

The luminaires also have a long operating life and do not contain any harmful materials, unlike CFL lamps that require special precaution­s for disposal due to their use of mercury.

The range’s P12K downlights were recently included in the new Moët Hennessy Sydney office in Barangaroo.

With sustainabi­lity a big part of the design brief, the client was looking for an

LED light solution. B12K was chosen due to its combinatio­n of energy-efficiency and impressive colour rendering and light quality.

“We are now in the best-in-class environmen­tal sustainabi­lity performanc­e building in the Southern Hemisphere and in Australia’s first large-scale carbon neutral community,” says David Thomas, human resources director at Moët Hennessy Australia.

There have been improvemen­ts to LED lights across the board, with designers seeking to tackle human health and sustainabi­lity all-in-one.

 ??  ??
 ??  ?? LEFT Dyson has ensured that the quality of Lightcycle lights can be maintained for 60 years. RIGHT GLG’S Pierlite Momentum 1 light and (below) the Moët Henessy Sydney office, fitted with Trend Lighting’s Platinum P12K downlights. PREVIOUS Cottesloe House, desgined with Trend Lighting’s XDC10 and XDH10 LED downlights.
LEFT Dyson has ensured that the quality of Lightcycle lights can be maintained for 60 years. RIGHT GLG’S Pierlite Momentum 1 light and (below) the Moët Henessy Sydney office, fitted with Trend Lighting’s Platinum P12K downlights. PREVIOUS Cottesloe House, desgined with Trend Lighting’s XDC10 and XDH10 LED downlights.
 ??  ??
 ??  ??

Newspapers in English

Newspapers from Australia