Australian Camera

2018 SONY WORLD PHOTOGRAPH­Y AWARDS

A TOTAL OF 320,000 IMAGES IN THIS YEAR’S SONY WORLD PHOTOGRAPH­Y AWARDS PRESENTED THE JUDGES WITH A MAMMOTH TASK, BUT THEY STILL MANAGED TO DISTILL IT ALL DOWN TO TEN OPEN CATEGORY WINNERS AND 63 NATIONAL AWARD WINNERS.

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It’s grown into the world’s biggest photograph­y competitio­n and, this year, attracted a massive 320,000 entries. Somehow the judges were still able to find the winners in ten Open categories and, new for 2018, 63 country-based National Awards.

Organised by the World Photograph­y Organisati­on, the Sony World Photograph­y Awards have evolved into the world’s most diverse photograph­y competitio­n. The 11th edition received a record breaking 320,000 submission­s by photograph­ers from more than 200 countries and territorie­s, presenting some of the finest contempora­ry photograph­y captured over the past year.

Photograph­ers were invited to enter any of the Open competitio­n’s ten categories, with the judges looking for the best single image fitting each category’s brief. Many of this year’s Open winners are nonprofess­ional photograph­ers, making their achievemen­ts even more remarkable. The overall winner of the Open Photograph­er Of The Year award is Veselin Atanasov from Bulgaria, who also won the Landscape & Nature category (pictured here).

In addition to the Open category winners, a total of 63 National Awards winners have also been selected – judged to be the strongest single image taken by a local photograph­er – with submission­s coming from nearly 70 countries. These included Australia, Argentina, Cambodia, Chile, China, France, Indonesia, Kenya, Nepal, Poland, Saudi Arabia, South Africa, Turkey and Vietnam. The 2018 Australia National Award was won by Chris Round – a fine-art photograph­er based in Sydney – with an image titled Intake Tower, Blowering Reservoir, NSW, Australia (see next page). This image also earned a Commended award in the Architectu­re Category.

Chris explains, “This image is part of an ongoing project concerning the Snowy Hydro Scheme and the Snowy Mountains region in New South Wales. It’s an exploratio­n of the balance between nature and man’s interventi­on upon it – vast structures amongst epic landscapes, re-shaped waterways and newly created ones. This is the Blowering Reservoir intake tower taken in the early morning light. The brutalist structure creates an interestin­g juxtaposit­ion with the surroundin­g environmen­t and the soft- looking water – a result of the need for a long exposure”.

The Chair of the judging panel, Zelda Cheatle, comments, “Judging the Open competitio­n and National Awards allowed me to discover high calibre internatio­nal work of great interest. In choosing the winners, the images all had to have something special – whether it be compositio­n, impact, skill, a portrayal of a unique event or informing in a new way. Above all else, each winner had to be an exceptiona­l photograph”.

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 ??  ??  The Highest Platform by Fajar Kristianto (Indonesia), winner of the Motion Category in the 2018 Sony World Photograph­y Awards. Also winner of the Indonesia National Award.
 The Highest Platform by Fajar Kristianto (Indonesia), winner of the Motion Category in the 2018 Sony World Photograph­y Awards. Also winner of the Indonesia National Award.
 ??  ?? Intake Tower, Blowering Reservoir, NSW,Australia by Chris Round (Australia), winner of the Australia National Award, 2018 Sony World Photograph­y Awards (also Commended in the Architectu­re Category).
Intake Tower, Blowering Reservoir, NSW,Australia by Chris Round (Australia), winner of the Australia National Award, 2018 Sony World Photograph­y Awards (also Commended in the Architectu­re Category).
 ??  ??  The Man And The Mysterious­Tower by Andreas Pohl (Germany), winner of the Architectu­re Category in the 2018 Sony World Photograph­y Awards.
 The Man And The Mysterious­Tower by Andreas Pohl (Germany), winner of the Architectu­re Category in the 2018 Sony World Photograph­y Awards.

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