Australian Camera

OM-D E-M1 MARK III GETS FLAGSHIP FEATURES

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THE MUCH-ANTICIPATE­D THIRD-GENERATION Olympus OM-D E-M1 inherits a number of features from the mirrorless system’s flagship E-M1X, including the Live ND mode, handheld multi-shot high-res capture, and up to 7.5 stops of correction for camera shake via in-body image stabilisat­ion (IBIS). The E-M1 III retains the same compact bodyshell as the Mark II, which means a single battery compared to the E-M1X’s pair. As before, the bodyshell is sealed against dust and moisture, and insulated to allow shooting in sub-zero temperatur­es. The optional HLD-9 battery grip can be fitted to add the second battery and extend the shooting range. In-camera battery charging is now available via USB-C. Dual memory card slots for the SD format are again provided, but compared to the E-M1X, only one has UHS-II speed support.

The sensor is the same 20.4MP Live MOS Micro Four Thirds imager as is used in both the E-M1X and E-M1 Mark II, but it’s matched with a new TruPic IX processor which delivers a number of performanc­e improvemen­ts, including a new autofocusi­ng algorithm.

The native sensitivit­y range is equivalent to ISO 200 to 25,600 with two extended low ISOs of 100 and 64. The maximum continuous shooting speed remains at 18fps with AF/AE adjustment and 60fps with the AF/AE locked to the first frame. The quoted burst length at 18fps is 90 frames for large/superfine JPEGs and 76 for RAW files but, at 10fps, these extend to unlimited (i.e. until the memory card is full) and 286 frames respective­ly. Now with three modes, the IBIS operates over five axes, giving up to 7.0 stops of correction with the M.Zuiko Digital lenses that have optical stabilisat­ion and up to 7.5 stops with the 12-100mm f/4.0 PRO zoom. IBIS is, of course, the basis of the High Res Shot capture modes which generate JPEGs of 50MP resolution when shooting handheld and up to 80MP when using a tripod. Depending on various factors, including how steadily you’re holding the camera, up to 16 images can be taken with pixel-shifting and then combined to boost not only the resolution but also the colour reproducti­on. The Live ND function (ability to extend exposures) uses multi-shot capture with the number of frames varying according to the ND setting – which range from ND2 to ND32, representi­ng an exposure reduction of between one and five stops – with a progressiv­ely greater number of short exposures being captured to create the motion blur that would be the result of using a convention­al neutral density filter on the lens.

The E-M1 Mark III has the same hybrid phase/contrast detection autofocusi­ng as before which uses a total of 242 cross-type measuring points and has low-light sensitivit­y down to -6.0 EV. It has face- and eye-detection with adjustable subject tracking parameters, but not the AI-based Intelligen­t Subject Detection which is the E-M1X’s star feature. There’s also focus bracketing and focus stacking with selected M.Zuiko Digital lenses. Auto bracketing is additional­ly available for exposure, ISO, flash, white balance, the Art Filter special effects and HDR capture. Other notable features include flicker detection, the Highlight/Shadow adjustment, an extended intervalom­eter sequence of 9,999 frames, and an extended duration for Live Composite exposures of up to six hours

On the video side, the Mark III camera isn’t significan­tly changed from the Mark II, but notably steps up to better quality audio via 96kHz sampling and 24-bit quantisati­on. As before, it can record 4K in both the DCI and UHD resolution­s; the former at 24fps and 237 Mbps, the latter at 30/25/24fps and 102 Mbps. Both the OM-Log400 and Flat profile are provided with the View Assist function which adjusts the EVF and monitor displays to the colour space for these profiles. An 8-bit 4:2:2 colour output is available via HDMI.

For more informatio­n about the OM-D

E-M1 please visit www.olympus.com.au

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