Australian Hi-Fi

EDITOR’S LEAD-IN

- greg borrowman

Who would have thought that you could win an Ig Noble Award with little more than a bucket of earthworms and a subwoofer?

Iam a great fan of active subwoofers. That in itself is a curious sentence, because many years ago, I would have started this column with the sentence ‘I am a great fan of active and passive subwoofers’ or just, perhaps, ‘I am a great fan of subwoofers.’ I say this because back in the day before digital signal processing was easily available, the performanc­e of active and passive subwoofers was identical, assuming all components were equal. The only difference was that an active subwoofer had the amplifier inside the cabinet, while a passive subwoofer meant you had to provide an external amplifier. DSP moved the goalposts because subwoofer designers could use electronic equalisati­on to modify the performanc­e of the driving amplifier to extract maximum possible performanc­e from the driver, while at the same time ensuring protective circuits were in place to prevent damage to either. You can’t do that with a passive subwoofer.

Anyway, I am a great fan because I don’t think there’s any better way to deliver the lowest musical octave, which is 16.35Hz to 32.7Hz (or if, you’d prefer it as tempered scale, C0 to C1) in a domestic living room. Yes, it can be done using floor-standing speakers, but to do so requires engineerin­g overkill that’s the equivalent of using a sledge-hammer to crack a walnut, plus you’re using two cabinets (and multiple drivers) to do it, when bass at these frequencie­s cannot be localised by the human ear, so only a single cabinet is required, and one large driver, plus a DSP-controlled high-power amplifier, can do the job perfectly well.

Anyway, it appears that two Victorian-based researcher­s, Ivan Maksymov and Andriy Pototsky, are also great fans of subwoofers, because it was a subwoofer that recently helped the two win a prestigiou­s Ig Nobel prize, though I am not sure if ‘prestigiou­s’ can be used in relation to the Ig Nobel, because these satiric prizes are given to publicise unusual or trivial achievemen­ts in scientific research. Maky and Potsy won this year’s prize by placing earthworms (three different varieties) on top of a subwoofer, then running sine waves at sufficient­ly high sound pressure levels (in a garage, so as not to annoy the neighbours, though as this was in Seymour, in regional Victoria, any neighbours would have been a long way away) through it to make the worms wiggle. The two discovered that different frequencie­s caused the worms to form different patterns inside their bodies in the same way that water droplets react to vibrations (YouTube has dozens of videos of this phenomenon).

Lest you think their worm-wiggling experiment was weird, please note that this year’s overall Ig Noble winner was an American anthropolo­gist who made a knife from his frozen faeces in order to cut a pigskin with the ‘blade’ (the attempt failed). And lest you wonder about the real point of the Ig Nobles, which are awarded by Harvard University, it’s that doing ‘what if’ research sometimes pays off. Andre Geim, who won an Ig Noble for using magnetism to levitate a frog, went on to win a Nobel prize in physics. As for their worm-wiggling research, the two Victorians believe it could be useful as a non-invasive technique to study the brain impulses in humans.

Unlike winners of the Nobel prize, who get shed-loads of money, Ig Nobel winners receive a paper cube folded by a Nobel laureate and a Zimbabwean 10 trillion dollar bill. And unlike Nobel prize winners, who get to give lengthy acceptance speeches, Ig Noble winners have only 60 seconds to speak, after which an eight-year-old girl is on microphone duty to enforce the one-minute rule by announcing “Please stop, I’m bored.” So I will too.

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