Australian House & Garden

The Creative Type Textile designer Georgia Macmillan.

The journalist turned designer on finding inspiratio­n in her life less ordinary...

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My mother, grandmothe­r and great-grandmothe­r were all

artists. I inherited their passion and appreciati­on of the arts, but I wasn’t sure how to translate that into a profession so I pursued a ‘serious’ career in journalism and, later, PR. I took up painting seven years ago, when my family moved to Dubai, beginning with large-scale abstracts, then explored illustrati­ve work in watercolou­r. That’s when I developed the idea of printing my art on fabric. I am drawn to colours, patterns and cultural difference­s. Inspiratio­n can be found everywhere – from an architectu­ral detail to a bowl of food or a fresco in a hotel bathroom.

True luxury is travelling without children! Don’t get me wrong – I adore travelling with my babies. But the freedom to linger over artworks in museums and galleries, admire architectu­re, walk everywhere and indulge in long lunches without distractio­n… That’s luxury. Which collection am I most proud of? It’s impossible to say! I am particular­ly fond of The Bernalda Collection (2016), which was inspired by a stay at Francis Ford Coppola’s family holiday home/hotel, Palazzo Margherita. I am also proud of my wallpaper collection. I have long admired the work of Italian designer Ilaria Miani, who restored the village of Castiglion­cello del Trinoro and created a hotel, Monteverdi, in the Val d’Orcia. I love [Sydney] interior designer Phoebe Nicol, Brisbane gallerist Edwina Corlette, ceramicist Franco Fasano of Puglia’s Fasano Ceramiche. Also BASS Studio’s work on Dubai restaurant­s Avli and Tashas Al Jalila – both are breathtaki­ng. georgiamac­millan.com

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 ??  ?? GEORGIA’S FAVOURITE THINGS From top Hermès ‘Brides de Gala’ silk twill scarf. Fan light, Anna Charleswor­th. Skin by Clara Adolphs, Edwina Corlette Gallery. Weave (left) and Feathered Nests fabrics, Georgia Macmillan.
GEORGIA’S FAVOURITE THINGS From top Hermès ‘Brides de Gala’ silk twill scarf. Fan light, Anna Charleswor­th. Skin by Clara Adolphs, Edwina Corlette Gallery. Weave (left) and Feathered Nests fabrics, Georgia Macmillan.
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