Australian House & Garden

IN THE DETAILS

A sympatheti­c renovation brought this Sydney home into the 21st century without losing its Federation charms.

- STORY Judy Pascoe | STYLING Alexandra Gordon | PHOTOGRAPH­Y Prue Ruscoe

Having never renovated before, the owners of this Federation bungalow in Sydney’s eastern suburbs were determined to do it properly. They lived in the house for two years before engaging Luigi Rosselli Architects, who came highly recommende­d by a work colleague. Space for the family of four was tight in the single-storey house, so Luigi and his team proposed a first-floor extension to accommodat­e the bedrooms, freeing up the entire downstairs area for generous living spaces.

A year-long build ensued, during which time Alexandra Donohoe Church, principal of Decus Interiors, came on board to take care of the interior design. “The house had a lovely traditiona­l feel and we wanted to retain that in the front of the home, transition­ing to a more contempora­ry mood at the back,” she says.

Echoes of the home’s past can be seen throughout, from the tiles in the entry that are reminiscen­t of old tiled verandahs, to the reinstated moulding on the joinery. The formal front sitting room remains, its fireplace updated with a stone hearth and mantel. “The original wedding-cake detailing on the ceiling was too beautiful to do away with,” says Alexandra. So it stayed, along with the vintage pendant lights. An antique-style mirror above the fireplace and heirloom floor lamps blend

“PAINTING THE DOORS AND WINDOWS WHITE WOULD HAVE BEEN TOO B LAND; THE DARK FRAMES GIVE THE HOME STRENGTH AND A BIT OF DRAMA .” Alexandra Donohoe Church, interior designer

seamlessly with shapely armchairs and low-slung marble and walnut coffee tables.

A central hallway runs from the front of the house to the light-flooded rear, where the kitchen, casual living and children’s study open to a deck overlookin­g the pool. While large-format porcelain tiles were a practical flooring choice in this back section, at the front, original narrow timber floorboard­s were stripped and stained a more modern chocolate tone. Panelling on the new joinery mirrors that in the front of the house, albeit with slight difference­s. Alexandra says these changes make it “clear in a subtle way where old and new intersect”.

The home’s “soft and gentle” palette is made up of blues and greens to suit the beachside location: furnishing­s in cobalt and navy, a bottle-green island bench and cool blues and aquas in the modern Australian artworks. In contrast, dark accents bring a layer of sophistica­tion, such as the balustradi­ng in Porter’s Paints Nautilus, kitchen island in Porter’s Paints Toy Soldier and black pendant lights over the kitchen bench .“Painting the doors and windows white would have been too bland,” says Alexandra, “but the dark frames with the white external shutters give it some strength and abit of drama”.

In the former storage area beneath the kitchen, extra space has been carved out for a wine cellar and bar, a family room and a bathroom convenient to the pool. This area is furnished with robust pieces including an indoor/outdoor rug and a beachy Aqua-bumps print.

Up on the top level, the parents’ retreat, girls’ bedrooms and family bathroom are classic yet contempora­ry. “It was a simple and tonal approach – not too fussy,” says Alexandra, who continued the colour palette with walls painted in Porter’s Paints Mist and navy bedlinen.

The owners were keen to make the right choices for the home had complete trust in Alexandra’s vision, and. “I found an artwork at Martin Browne Contempora­ry that I thought would work well – and they bought it the very next day!” says Alexandra.

‘SAME BUT DIFFERENT’ DETAILING SUBTLY DEFINES THE INTERSECTI­ON BETWEEN OLD AND NEW.

KITCHEN Decus Interiors designed the custom joinery. Benchtop in Super White Dolomite, CDK Stone. Gubi ‘Ronde’ pendant lights, Cult. Marte floor tiles in Grigio Egeo, Bisanna Tiles. VERANDAH The family gets plenty of use out of the Teka outdoor table and Roda ‘Harp’ dining chairs and ‘Spool’ armchairs from Domo. Hay ‘Cacti’, Cult. LANDING

The upstairs hallway features a Michael Verheyden suede ottoman from Ondene and Porta Romana ‘Lilburn’ wall light from South Pacific Fabrics. MAIN BEDROOM Alexandra created a tranquil parents’ retreat, complete with custom bedhead made by Paul King, Bemboka bedlinen and Gubi ‘Bestlite BL7’ wall sconces from Cult. Artwork by Alan Jones, Olsen Gallery. POWDER ROOM Walls covered in honed Carrara marble from CDK Stone add a luxe touch to this small space. Porta Romana ‘Emperor’ wall sconces, South Pacific Fabrics. Brodware ‘City Plus’ tapware, Cass Brothers. Iittala ‘Ruutu’ vase, Anibou.

 ??  ??
 ??  ?? SITTING ROOM The home’s original features are brought into the present with the addition of two Minotti ‘Fil Noir’ armchairs, a ‘Calder Bronze’ coffee table from Dedece, a Christophe Delcourt ‘Iko’ side table from Ondene and custom square walnut coffee table by JP Finsbury. Custom rug, Robyn Cosgrove. David Band Self
Portrait (Pink) artwork from Olsen Gallery. ENTRY/STAIRS Popham Design ‘Zulu’ floor tiles from Onsite Supply+Design give another nod to the home’s past. Stairway custom joinery by Decus Interiors. Untitled artwork by George Tjungurray­i from Utopia Art Sydney. FORMAL DINING Bold furniture choices pack a contempora­ry punch. Adam Goodrum ‘Molloy’ table, Cult. ClassiCon ‘Roquebrune’ chairs, Anibou. Garrison Hang chandelier, The Urban Electric Company. Michael
Cusack Sonnabend artwork from Martin Browne Contempora­ry.
SITTING ROOM The home’s original features are brought into the present with the addition of two Minotti ‘Fil Noir’ armchairs, a ‘Calder Bronze’ coffee table from Dedece, a Christophe Delcourt ‘Iko’ side table from Ondene and custom square walnut coffee table by JP Finsbury. Custom rug, Robyn Cosgrove. David Band Self Portrait (Pink) artwork from Olsen Gallery. ENTRY/STAIRS Popham Design ‘Zulu’ floor tiles from Onsite Supply+Design give another nod to the home’s past. Stairway custom joinery by Decus Interiors. Untitled artwork by George Tjungurray­i from Utopia Art Sydney. FORMAL DINING Bold furniture choices pack a contempora­ry punch. Adam Goodrum ‘Molloy’ table, Cult. ClassiCon ‘Roquebrune’ chairs, Anibou. Garrison Hang chandelier, The Urban Electric Company. Michael Cusack Sonnabend artwork from Martin Browne Contempora­ry.
 ??  ??
 ??  ??
 ??  ??
 ??  ?? LIVING The open-plan living and outdoor space have been designed to make the most of those amazing views. Walter Knoll ‘Jaan’ sofa, Living Edge. Nau ‘Nest’ side table and Adam Goodrum ‘Plum’ armchair, Cult. Iko coffee table, Jardan.
Drawn Together artwork by Ildiko Kovacs from Martin Browne Contempora­ry. Rug, Cadrys.
LIVING The open-plan living and outdoor space have been designed to make the most of those amazing views. Walter Knoll ‘Jaan’ sofa, Living Edge. Nau ‘Nest’ side table and Adam Goodrum ‘Plum’ armchair, Cult. Iko coffee table, Jardan. Drawn Together artwork by Ildiko Kovacs from Martin Browne Contempora­ry. Rug, Cadrys.
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ?? 179
179
 ??  ??

Newspapers in English

Newspapers from Australia