Australian House & Garden

Scaling Up

Focusing on materialit­y transforme­d this Melbourne home into a great family-friendly entertaine­r.

- STORY Carli Philips | PHOTOGRAPH­Y Jack Lovel

Architect Sarah Bryant is a firm believer that bigger doesn’t necessaril­y mean better. It’s the ethos of her practice, Bryant Al sop, and this Melbourne home is proof positive that the approach works. The Edward ian house had been extended in the1990s, but the addition was awkward and covered in an unappealin­g lemoncolou­red render. The structure was sound, however, so Sarah and her team took great pains to consider what could be retained and reused.

It was important to the gregarious, community-minded owners, a couple with two school-age children, that the house be suited to entertaini­ng. Their biggest frustratio­n was an odd mezzanine level that impacted the ceiling height of the kitchen below. Sarah’s plan was to open up and reconfigur­e the existing layout to create more room for guests to mingle.

Removing the mezzanine opened the space up and allowed for the inclusion of a double-height window for views to the garden. The result is an expansive, open-plan environmen­t with robust, semiindust­rial appeal. “The owners wanted a home that felt warm and solid, featuring brick, concrete and timber – nothing delicate,” says Sarah. “This is a place for real family living.”

The materials palette is the star of the kitchen. The over sized island bench is made from Bowral Bricks dry-pressed bricks in Capitol Red and topped with concrete. The splashback, in geometric feature tiles by Patricia Urquio la, and surroundin­g joinery, in blackbutt veneer and black laminate, complement the island beautifull­y. Nearby, a large, deep window creates a servery to the adjacent deck; this new relationsh­ip with the garden is one the family has wholeheart­edly embraced.

At 260 square metres, the home is relatively compact. But thanks to Sarah’s design tweaks, it looks and feels generous. “Houses don’t need to be huge, they just need to be well designed. It’s so important top reserve outdoor spaces–and that means not building up to 80 per cent of the block as some regulation­s allow.”

“The owners wanted a home that felt warm and solid, featuring brick, concrete and timber – nothing delicate. This is a place for real family living.” Sarah Bryant, architect

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KITCHEN Patricia Urquiola ‘Tierras’ splashback tiles, Urban Edge Ceramics. Stools, AJAR Furniture & Design. Spotted-gum floorboard­s, Connollys. Trusses made from reclaimed forest gum. Linear pendant, Masson for Light. Brodware tapware, E&S. Island benchtop, Rutso Concreting. Rear joinery in Navurban Byron Blackbutt Veneer, New Age Veneers. Black joinery in Woodmatt laminate from Polytec. Walls painted Dulux White Polar Quarter.
80 KITCHEN Patricia Urquiola ‘Tierras’ splashback tiles, Urban Edge Ceramics. Stools, AJAR Furniture & Design. Spotted-gum floorboard­s, Connollys. Trusses made from reclaimed forest gum. Linear pendant, Masson for Light. Brodware tapware, E&S. Island benchtop, Rutso Concreting. Rear joinery in Navurban Byron Blackbutt Veneer, New Age Veneers. Black joinery in Woodmatt laminate from Polytec. Walls painted Dulux White Polar Quarter.
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 ??  ?? DECK This page and opposite The servery opens directly from the kitchen and is used regularly for meals when the kids are playing outside. Stools and chair, all AJAR Furniture & Design. Charred-timber cladding, Eco Timber Group. Spotted-gum decking. For Where to Buy, see page 176.
DECK This page and opposite The servery opens directly from the kitchen and is used regularly for meals when the kids are playing outside. Stools and chair, all AJAR Furniture & Design. Charred-timber cladding, Eco Timber Group. Spotted-gum decking. For Where to Buy, see page 176.

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