Australian House & Garden

TOM F ER GUSON

The Sydney architect-turned-profession­al interiors photograph­er shares some of the highlights along his creative journey.

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I studied architectu­re at the University of NSW and went to work for Cracknell Lonergan Architects after I graduated in 2000. I received a few design commission­s off the back of my first solo architectu­ral project, which led to establishi­ng my own practice in 2006. I’d always had an interest in photograph­y so started taking photos of my work, then other architects and designers asked me to shoot theirs. The transition from full-time architect in 2006 to full-time photograph­y in 2020 has been gradual. Constructi­on on the last of my architectu­ral projects was completed in May this year.

I grew up in a 1960s red-brick house in a relatively new subdivisio­n in North Turramurra [on Sydney’s Upper North Shore]. I’m not sure whether it had any great influence on my interest in architectu­re, but I do have childhood memories of drawing floor plans that were similar to the house in my spare time. I also remember my mum telling me that the dining room should always be close to the kitchen.

Each work day is different, but I can genuinely say that every job is enjoyable. I love the solo projects, where I am left alone with a house and camera for a day or more, as much as I enjoy the highly collaborat­ive, highly styled team efforts. I think the most enjoyable thing is that I get to see such a variety of great architectu­re and interiors up close.

Profession­ally, I’d like to explore different kinds of photograph­y. I’ve just begun dipping my toe into the world of drones because I am often asked if I can do drone shots of a property.

While I don’t think drone footage can replace traditiona­l photograph­y, there is definitely room for drone shots as a complement to a set of stills.

A real highlight in my career was having my images of the ABU House project by Stephen Collins Interior Design on the cover of Elle Décor

Italia in 2014. It was a great milestone and an important point in my transition from architectu­re to photograph­y.

The biggest challenge was definitely the Global Financial Crisis in 2008. As an architect with a new solo practice and an employee to think of, it was very tough.

Strategies for a satisfying work/life balance? Sometimes I think I have a great work/work balance so I’m probably not the best person to ask! Photograph­y is such a creative process though, so sometimes I don’t feel like work is actually work. For me, getting out for a walk around Sydney Harbour – without headphones – taking in the sites and sounds of the city is a good antidote to work.

Reading really nourishes my creativity. I love physical copies of design and architectu­re magazines. I’m currently reading Night Lessons in Little Jerusalem by Australian author Rick Held too.

When I’m retouching, I usually have ABC local radio on in the background. When I’m driving to shoots, I like to listen to podcasts. My current favourite is ‘No Such Thing As A Fish’ [produced by the makers of the BBC television show, QI].

Which artists, architects and designers do I admire? This is a really difficult question – there are so many on the list! Having been an architect, I admire anyone who has the tenacity to get projects designed, approved and built.

My favourite artists are Tomislav Nikolic and Coen Young. My favourite designer has to be Achille Castiglion­i – I just adore lamps.

I’m not much of a fashionist­a but Valentino’s Rockrunner trainers are a bit of a staple for me. They’re expensive but they last forever and are a perfect balance of comfort and style.

True luxury? An infinity-edge pool by the ocean. It’s the swimming version of driving with the windows down and the airconditi­oning on!

I recently went to New Canaan in Connecticu­t, USA, to visit the BassamFell­ows office, The Glass House and Hodgson House, all designed by Philip Johnson. It was pretty amazing – beautiful buildings full of beautiful objects. Grace Farms, a nature park with community creative spaces designed by SANAA, was another highlight of the trip.

There’s a lot to love in my own neighbourh­ood too. Quattro Passi cafe in Darlinghur­st [in Sydney’s inner east] is a longtime favourite. For dinner, I adore The Apollo, which does modern Greek food, and Cho Cho San (contempora­ry Japanese). Both restaurant­s are in Potts Point, another suburb in Sydney’s inner east.

www.tomferguso­n.com.au

“The most enjoyable part of my job is getting to see such a variety of great architectu­re and interiors up close.”

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 ??  ?? FROM TOP The newly refurbishe­d office of multidisci­plinary design studio BassamFell­ows was a highlight on Tom’s recent trip to the US. The Taccia table lamp by Achille & Pier Giacomo Castiglion­i is as appealing today as when it was first produced in 1962; it’s available in Australia through Euroluce. Night Lessons in Little Jerusalem book by Rick Held. Rockrunner sneakers in Camouflage Noir, $1050, Valentino. The artwork, titled all your influences, is part of a 2014 installati­on by Coen Young. OPPOSITE Tom in his own chic home. For Where to Buy, see page 176.
FROM TOP The newly refurbishe­d office of multidisci­plinary design studio BassamFell­ows was a highlight on Tom’s recent trip to the US. The Taccia table lamp by Achille & Pier Giacomo Castiglion­i is as appealing today as when it was first produced in 1962; it’s available in Australia through Euroluce. Night Lessons in Little Jerusalem book by Rick Held. Rockrunner sneakers in Camouflage Noir, $1050, Valentino. The artwork, titled all your influences, is part of a 2014 installati­on by Coen Young. OPPOSITE Tom in his own chic home. For Where to Buy, see page 176.
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