Australian House & Garden

Perfect Blend Family is at the heart of every decision when two households become one.

It’s not always easy to harmonious­ly combine two families’ treasures into one household, but it certainly helps when there’s an interior designer in the building...

- STORY Georgia Madden | STYLING Jono Fleming | PHOTOGRAPH­Y Jacqui Turk

Merging the lives of two families into the one household is always a delicate business. It’s something that was at the front of interior designer Anna McMillan’s mind when she set about redecorati­ng the home she shares with her partner James, their children Liz, 19, Connor, 19, and Gabi, 17, plus two dogs and three cats. “Blending the two families has been an adjustment for all of us,” she says. “Decorating this house was about being respectful to each person’s emotional connection to their home and creating a space we could all enjoy and call our own.”

Located on Sydney’s Lower North Shore, ‘Camelot’ is a two-storey sandstone house built in 1905 with breathtaki­ng views of Chinamans Beach. “Prior to James buying the property, it had been in the same family for 50 years,” says Anna. “He undertook a major renovation in 2010, primarily to modernise the layout.” He flipped the floor plan, bringing the kitchen to the front of the house to make the most of that glorious view, and knocked through a wall to create a generous open-plan kitchen/dining space.

While that layout worked well, Anna couldn’t shake the feeling that the decor didn’t suit the home’s coastal setting. “The interior was quite masculine – lots of dark chocolate, orange and beige, and rather formal furniture – and did little to connect to its glorious outlook,” says Anna. “To me, this house was crying out for something fresher, more welcoming and more relaxed. James told me to do whatever I needed to do to make it work for our family and for it to feel like a comfortabl­e, inviting home.”

Annaputalo­tofthought­intoahome that respected both families’ histories plus allowed space for creating a new chapter together. “I incorporat­ed pieces from both of our families: the console in the hallway, for example, was a wedding gift from my first marriage and the artworks are pieces I’ve collected over time. James found the beautiful dining table at Coco Republic a few years ago; the mirrors in the entry and the living room are part of his collection too,” she says. “The key was curating pieces to make them shine within a new scheme.”

The first thing Anna did was lose the “dull beige” on the walls. “I repainted a fresh natural white throughout and removed the heavy window treatments so the view is front and centre,” she says.

Next, she began layering. “I’m very much a texture person – it’s so important for bringing warmth to a space. For the living room, I chose white matchstick-style blinds and had the window seat upholstere­d in a plush velvet,” she says. A pair of beaded chandelier­s provide a playful contrast against a stonewashe­d Persian-style rug in the living room and classic joinery in the dining room. “I’d had my eye on these chandelier­s forever and they’re the perfect fit for this space,” says Anna.

Throughout, the walls are dotted with artworks. “I choose art that I’m drawn to instinctiv­ely – often, I can’t explain why I like a particular piece. We move art around a lot in this house. Seeing something in a new spot, in different light, often makes it feel like an entirely new work.”

“THE KEY WAS CURATING PIECES TO MAKE THEM SHINE WITHIN A NEW SCHEME.”

Anna McMillan, interior designer

The kitchen was already a pleasant space to cook and spend time in, so Anna left it as is. “There are bifolds leading to a balcony where James and I often sit in the early mornings with a cup of tea and watch the sunrise. It’s a gorgeous spot,” she says. “We recently put in a new deck on the other side, with a dining setting and barbecue, which we use for entertaini­ng.”

Existing detailing, including original leadlight windows and wainscotin­g added in the 2010 renovation, were highlighte­d with complement­ary decorator pieces. “It was really important to celebrate these features,” says Anna. The one major structural change they made was to the main bedroom’s ensuite. “I wanted to make it suitable for two people,” she says. “I gutted it, retiled it, put in a double vanity and generally lightened up the space.”

Anna already has a studio/office on the first floor but during lockdown, they also updated a guestroom so James could work from home too. “The house is on a busy street but once you step inside you forget all that,” she says. “People coming here for the first time are often surprised at how calm and relaxed it is. Even with three young adults in the house, there are quiet spaces for everyone to retreat to.”

Most importantl­y, it now feels like home for everyone. “I always felt like we were living in James’ house, but now I have an emotional connection to it too,” says Anna.

McMillan Design, Mosman, NSW; 0449 184 155 or mcmillande­sign.com.au.

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 ??  ?? LANDSCAPE The home’s elevated position gives it both privacy and uninterrup­ted ocean views.
DECK “It’s a great spot to entertain friends or simply watch the light change on a summer’s evening,” says Anna. Sofa setting, Wintons Teak. Cushions, Berry Jam Sweet Living. Side table, Coco Republic.
LANDSCAPE The home’s elevated position gives it both privacy and uninterrup­ted ocean views. DECK “It’s a great spot to entertain friends or simply watch the light change on a summer’s evening,” says Anna. Sofa setting, Wintons Teak. Cushions, Berry Jam Sweet Living. Side table, Coco Republic.
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 ??  ?? LIVING Marsielle chandelier, Gypset Cargo. White matchstick-style blinds from Divine Designs replaced heavier brown ones that blocked light and views. The featured artworks are Viet Girl by Sally West (left of window seat) and a piece from the Dragonfly series by Pro Hart. Stratten sofa, Coco Republic. Bogart occasional chairs, Globe West. Rasa parquetry table, Divine Designs. Cushions, Walter G and stylist’s own. The shelves are lined with Rivièra Maison ‘Anvers’ wallpaper. The brass candlestic­ks once belonged to Anna’s great grandparen­ts; the marble bookends were a gift James received for his 10th birthday. Split Pomegranat­e and Tuscan Farmhouse paintings (on shelves) by Rachel Stevens, Palette by Jono Fleming.
LIVING Marsielle chandelier, Gypset Cargo. White matchstick-style blinds from Divine Designs replaced heavier brown ones that blocked light and views. The featured artworks are Viet Girl by Sally West (left of window seat) and a piece from the Dragonfly series by Pro Hart. Stratten sofa, Coco Republic. Bogart occasional chairs, Globe West. Rasa parquetry table, Divine Designs. Cushions, Walter G and stylist’s own. The shelves are lined with Rivièra Maison ‘Anvers’ wallpaper. The brass candlestic­ks once belonged to Anna’s great grandparen­ts; the marble bookends were a gift James received for his 10th birthday. Split Pomegranat­e and Tuscan Farmhouse paintings (on shelves) by Rachel Stevens, Palette by Jono Fleming.
 ??  ?? 102 KITCHEN This page and opposite bottom Anna says the kitchen was already a perfect fit for the family. The benchtops are Calacatta marble (island) and Caesarston­e Oyster (rear). Existing pendant lights. Franke cooktop, Reece. Olde English tapware, Astra Walker. Taburet barstools, Life Interiors. Still Life with Pumpkin artwork by Rachel Stevens from Palette by Jono Fleming. DINING James bought the 10-seater dining table from Coco Republic many years ago. It’s teamed with Tolix ‘Chaise A’ dining chairs from Thonet. Chandelier, Gypset Cargo. Black Painting II by Lynn Baird (left) and Viet Girl by Sally West. >
102 KITCHEN This page and opposite bottom Anna says the kitchen was already a perfect fit for the family. The benchtops are Calacatta marble (island) and Caesarston­e Oyster (rear). Existing pendant lights. Franke cooktop, Reece. Olde English tapware, Astra Walker. Taburet barstools, Life Interiors. Still Life with Pumpkin artwork by Rachel Stevens from Palette by Jono Fleming. DINING James bought the 10-seater dining table from Coco Republic many years ago. It’s teamed with Tolix ‘Chaise A’ dining chairs from Thonet. Chandelier, Gypset Cargo. Black Painting II by Lynn Baird (left) and Viet Girl by Sally West. >
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 ??  ?? MAIN BEDROOM Bedhead upholstere­d in Rossetti Fabrics ‘Impala’ fabric. Alva armchair, Sarah Ellison. Bedside table, King. Table lamp, Bloomingda­les Lighting. The South Revisited painting by NZ artist and family friend Margaret Woolley.
Blinds in Warwick Fabrics ‘Harper’ fabric by Divine Designs. MAIN ENSUITE Vanity, Timberline Bathroom Products. Caesarston­e Oyster benchtop. Tapware, Phoenix Tapware. Basin and tiles, all ColorTile. Eggcup stool, Mark Tuckey.
MAIN BEDROOM Bedhead upholstere­d in Rossetti Fabrics ‘Impala’ fabric. Alva armchair, Sarah Ellison. Bedside table, King. Table lamp, Bloomingda­les Lighting. The South Revisited painting by NZ artist and family friend Margaret Woolley. Blinds in Warwick Fabrics ‘Harper’ fabric by Divine Designs. MAIN ENSUITE Vanity, Timberline Bathroom Products. Caesarston­e Oyster benchtop. Tapware, Phoenix Tapware. Basin and tiles, all ColorTile. Eggcup stool, Mark Tuckey.

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