ART

Belle - - Contents - Jolts of in­spi­ra­tion from the gallery walls. Edited by HARRY ROBERTS

Hang­ing around the gal­leries.

SYD­NEY MIR­ROR IM­AGE COEN YOUNG MANIPULATES THE CHEM­I­CAL PRO­CESSES OF PHOTOGRAPHY TO CON­CEIVE HIS MER­CU­RIAL COM­PO­SI­TIONS (ABOVE, RIGHT), WHICH AMOUNT TO A RECONSIDERATION OF IM­AGE MAK­ING IT­SELF. UN­TIL JULY 29. HIS SOLO SHOW WILL BE FOL­LOWED BY A NEW SE­RIES

I’M BURN­ING UP! The flame-coloured Crusted Heat, one of Gunter Christ­mann’s early ‘spran­kle’ paint­ings from 1970 (right), forms the scorch­ing hot cen­tre­piece in a new group show where Clare Milledge’s hin­ter­glas­malerei – oil painted on the re­verse side of

SYD­NEY 20TH-CEN­TURY MAN Olsen Gallery will present the first ma­jor ex­hi­bi­tion in more than a decade for Aus­tralia’s pre-em­i­nent 20th-cen­tury sculp­tor Robert Klip­pel at Syd­ney Con­tem­po­rary. Drawn di­rectly from the artist’s es­tate, the works (right) be­tray

SYD­NEY POLITICAL CLASS Vin­cent Na­matjira’s ar­rest­ing paint­ings com­bine bold vis­ual styling with lash­ings of wit, ir­rev­er­ent hu­mour and a zest for sto­ry­telling, draw­ing a cast of colour­ful char­ac­ters from colo­nial his­tory and con­tem­po­rary pol­i­tics. Obama a

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