Belle

CREATIVE SPACE

Not shy of bygone charm, a restored terrace in Sydney’s Woollahra plays host to interior design firm Decus, spearheade­d by founder and managing director Alexandra Donohoe Church.

- Photograph­y ANSON SMART

Tour the glamorous home base of Decus in Sydney’s Woollahra.

HOW WOULD YOU DESCRIBE YOUR APPROACH TO DESIGN? Our design language leans towards the experiment­al, expressing our unique way of thinking and, of course, designing. We are detail-driven, layered yet always refined, and love experiment­ing with opposing elements for a sense of polarity. There’s something intangible but powerful about injecting a little tension and the unexpected into every design. We also really value our client relationsh­ips, striving for intimacy and trust as this allows us to achieve the best outcome. IS THERE A COMMON ELEMENT THAT RUNS THROUGH ALL ASPECTS OF YOUR WORK? We love the beauty in layering and the nuances of textures and materialit­y. These elements convey great richness to a space. We like to think our projects are instilled with something of a rebellious spirit, and ultimately it’s about creating interiors that our clients love. We’re really passionate about expression through design and therefore we strive to attract an open-minded clientele who allow us to realise their vision – and ours – through the creation of really special homes that they love to spend time in. WHAT APPEALED TO YOU ABOUT THE STUDIO SITE AND WHAT DID THE ALTERATION­S ENTAIL? In looking for a site I was drawn to Queen Street, Woollahra. In a low-lying area with limited building heights, the studio has incredible natural light at street level. With stunning architectu­ral bones, we were able to reinvent the duallevel terrace to maximise light, seamlessly integratin­g the outside in from the streetscap­e to the rear courtyard. We love creative collaborat­ion and are fortunate [often] to find ourselves working with and supporting our neighbours. These relationsh­ips allow for the cross-pollinatio­n of ideas, which is always exciting.

HOW WOULD YOU DESCRIBE THE SPACE? Delicate and feminine, reflecting our design ethos and commitment to exceptiona­l quality, materialit­y and texture. Our studio has many design moments, from our decorative exterior and bold bathroom to a wall filled with handwritte­n quotes that are both cheeky and humorous. My favourite space is our front room, filled with design pieces that are luxurious yet liveable. This room benefits from amazing light and is the perfect area for informal meetings or a quiet moment.

HOW DOES THE SPACE REFLECT YOUR WORK? Creative collaborat­ion is central to our process, and designing the studio was an opportunit­y to work with our network of talented architects, builders and craftspeop­le. We’re really passionate about taking

a considered approach to the selection of furniture and artwork, and the studio allows us to showcase some of our favourite pieces, often rotating them. Finding balance in opposing elements is another theme in our design language, and in the studio you’ll note a decorative bathroom juxtaposed with the more minimal, clean lines of the work floor. We love this sense of contradict­ion.

IS THERE A PARTICULAR ARCHITECTU­RAL ERA THAT RESONATES WITH YOU? I love Brazilian modernism from the 50s and 60s with its honest, clean simplicity and focus on the connection with nature. I also admire Italian design, seamlessly marrying materialit­y and restraint with the right amount of detailing and textured finishes. WHO OR WHAT HAVE BEEN SOME OF YOUR ENDURING CREATIVE INFLUENCES? I find the design language of Brazilian architects such as Sergio Rodrigues and Jorge Zalszupin to be honest and relatable. I greatly admire Gio Ponti. He was an exceptiona­l architect as well as furniture designer, artist, writer and teacher.

WHICH DESIGNERS AND ARTISTS DO YOU ADMIRE? Brazilian sculptor Sérgio de Camargo and his experiment­ation with wood relief, geometric abstractio­nism and constructi­vism is beautiful. Artist Jan Albers and his ability to work with structural depth and complexity compels you to look into his work rather than at, suggesting an entirely different reading of space and form. Coen Young is an artist I’m fascinated with. His recent paintings on paper draw an interestin­g and intriguing relationsh­ip to photograph­y. Australian photograph­er Justine Varga’s ability to capture instantane­ous moments or distil lengthy periods is striking. WHAT PROJECTS ARE YOU LOOKING FORWARD TO? The completion of a breathtaki­ng residentia­l project in WA and an exciting heritage residence in Sydney going through council planning. We feel privileged to be part of a dynamic industry and are excited to continue forging our unique design language within the residentia­l interior landscape in Australian and abroad. decus.com.au

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 ??  ?? This page, from top left The Queen Street, Woollahra, studio. Pierre Paulin for Ralph Pucci ‘Canape Alpha’ sofa sits atop a ‘Twill’ rug by Robyn Cosgrove, backed by a Robert Plumb planter and custom mirror. A USM ‘Haller’ console from Anibou accents a striking custom calligraph­y wall finish by The Blackline Bottega. Opposite page staff, from left: Lucia Garth, Jacob Boutkan, Clementine Ball, Kerri Holt, Alexandra Donohoe Church, Sarah Wilson, Christine Rose, Bonnie Malcolm-Green.
This page, from top left The Queen Street, Woollahra, studio. Pierre Paulin for Ralph Pucci ‘Canape Alpha’ sofa sits atop a ‘Twill’ rug by Robyn Cosgrove, backed by a Robert Plumb planter and custom mirror. A USM ‘Haller’ console from Anibou accents a striking custom calligraph­y wall finish by The Blackline Bottega. Opposite page staff, from left: Lucia Garth, Jacob Boutkan, Clementine Ball, Kerri Holt, Alexandra Donohoe Church, Sarah Wilson, Christine Rose, Bonnie Malcolm-Green.
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 ??  ?? This page, clockwise from above Alexandra Donohoe Church on an &Tradition ‘Little Petra’ armchair. An Eric Schmitt ‘Rosie’ wall light in brass complement­s the earthy tones of the CDK Stone ‘Norwegian Rose’ and custom joinery by Decus Interiors. An Eames ‘Universal’ table grounds the room while artwork by Jacqui Stockdale and an Arflex ‘Botolo’ chair emphasise the CC-tapis ‘After Party’ rug from Loom. Knoll Studio ‘Saarinen’ table and ‘Bertoia Side’ chairs centre the space with interior samples behind.
This page, clockwise from above Alexandra Donohoe Church on an &Tradition ‘Little Petra’ armchair. An Eric Schmitt ‘Rosie’ wall light in brass complement­s the earthy tones of the CDK Stone ‘Norwegian Rose’ and custom joinery by Decus Interiors. An Eames ‘Universal’ table grounds the room while artwork by Jacqui Stockdale and an Arflex ‘Botolo’ chair emphasise the CC-tapis ‘After Party’ rug from Loom. Knoll Studio ‘Saarinen’ table and ‘Bertoia Side’ chairs centre the space with interior samples behind.
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