Computer Music

>Step by step

Making acoustic drums sound bigger and more powerful

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1 Here’s a simple groove triggering Ableton Live’s bundled SessionDry kit – an extremely dry acoustic drum kit. Although its individual drums aren’t by any means tiny, collective­ly this isn’t exactly what anyone would describe as a ‘big’ drum sound. There are several things we can do with plugins to beef it up… 4 Perhaps the most obvious effect to reach for is reverb, positionin­g the source signal in a virtual space. Your reverb plugin will probably include a few drum kit-orientated presets, so use those as your starting point. Don’t go overboard with the wet signal: set it where you think it sounds right, then back it off a touch. 2 Compressio­n should be your first port of call. By reducing the dynamic range – that is, bringing the volume levels of the louder parts down – and increasing the Gain to compensate, the whole thing becomes louder and punchier. Here, I’m applying a compressio­n Ratio of 4.5:1 with a 2ms Attack time to let transients through. 5 Distortion – in all forms – is another solution to low-impact drums, implying added size with the harmonic shaping and natural compressio­n it can introduce. Here, FabFilter’s Saturn multiband distortion plugin is thickening up my drums gently but very effectivel­y. 3 If your compressor has a mix control, you can make the kit sound bigger but still retain performanc­e dynamics using parallel compressio­n. I’ll set the Dry/Wet balance to 50/50, for an equal blend of compressed/uncompress­ed signal. The Attack is reduced to minimum, as the idea is to crush transients then blend them in. 6 In reality, you’d most likely combine processes to get your drums sounding their biggest. Here I’ve inserted the reverb, parallel compressio­n and distortion from the previous steps. Together, they not only sound huge but also give me plenty of options for tweaking the dynamics and spatialisa­tion of the kit.

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