Computer Music

PAUL MADDOX

As a solo artist, engineer and one half of techno duo Spektre, Paul’s a pro at maximising his studio time…

- www.olivegroov­es.co.uk www.spektre.co.uk

: What keeps you motivated throughout the process of taking a track from start to finish? PM:

“I try to get a rough arrangemen­t together as quickly as possible, rather than agonising over the details too early. It’s easier to bash out a quick arrangemen­t then see what’s right and wrong with it, rather than being too particular from the outset. Taking regular breaks is also important – having a cup of tea and sticking Bargain Hunt on for 15 minutes can sometimes end up being more useful than mindlessly flicking through presets when you hit a creative block!”

: You’ve had success as both a solo artist and as part of a duo. Would you say you’re more efficient when collaborat­ing? PM:

“Yes, definitely. It’s far easier to make decisions when you have a trusted second opinion sat next to you, which helps avoid those times when you end up flicking through hi-hat samples all day…

“I also find it helps keep focus on time. As Rich (the other half of Spektre) and I only have limited time together in the studio, there’s a healthy bit of pressure there to crack on and get things done.”

: Once you have that initial idea, how do you ensure you don’t get stuck in ‘loop mode’? PM:

“A good trick is to drop a track you like (that has similar elements to what you’re working on) onto an audio track and analyse how its arrangemen­t works. Once you’ve got started you’ll probably end up ignoring the guide track, but it helps get over the intimidati­on that an empty screen can sometimes cause!”

: What’s your relationsh­ip like with hardware and software in terms of studio workflow? PM: “

I’ve used varying mixtures of hardware and software in my own studios over the years. As far as workflow is concerned, I definitely prefer the software approach. As I work on several of my own projects as well as co-producing and engineerin­g for a number of other artists, being able to quickly switch between tracks and go back to make amendments far outweighs the undeniable fun factor of having a lot of outboard.”

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