Computer Music

> Technique

9. Ramping up reverb and delay

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Time-based effects like reverb and delay are perfect to increase drama during the buildup. As the breakdown progresses, gradually send some of your channels to a long reverb. Right on the last couple of beats before the breakdown, use automation to mute all the channels, including the reverb sends, and solo a fill or synth part. When the drop hits, automate the reverb channel to turn back on. In doing so, you create an immediate sense of depth and space at the drop. As your breakdown has progressed, the increasing reverb level will have made everything sound bigger – so by muting the reverb send channel, we immediatel­y make everything sound smaller. This sudden change creates an unnatural, upfront moment just before the drop. Plus, it’s also a great way of showcasing a lead melody or hook that enters when the track drops.

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