Lead-line de­sign

Computer Music - - Producer Masterclass -

24:05 With beats and FX fir­ing on all cylin­ders, Hatcha and Lost de­cide they want to add a lit­tle melody to the pro­ceed­ings. “We felt that it needed a bit more melody, the basslines weren’t re­ally enough, and the sam­ple we had couldn’t re­ally run through the whole track, so we needed some­thing to break it up a bit and make it into a song,” Lost ex­plains. A saw-like Al­bino 3 lead is se­quenced to play a sim­ple two-note melodic hook, and the patch’s built-in de­lay adds a touch of in­ter­est­ing rhyth­mic in­ter­play.

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