Computer Music

17. Multiple limiters

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If your mixing skills are more advanced than most, try stacking up a custom chain of limiting plugins for a more powerful, controlled sound. Instead of using one limiting plugin to tackle all the heavy lifting, distribute the workload across two or three complement­ary limiters. Around 1dB of peak reduction (via a clipper) is usually a good starting point, and will smooth out levels in preparatio­n for the next stage of limiting.

Each limiter has a slightly different sound and effect depending on the signal in question. Waves’ L2, for example, has a smooth, ‘round’ sound which can suit tracks with overly spiky, harsh transients.

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