Computer Music

GrainSpace

A granular audio effect with a reverb onboard, this cheap and cheerful new plugin could be the just what the electronic­a doctor ordered

- www.audiority.com

The latest plugin release from one-man developmen­t house Luca Capozzi, Grainspace (VST/AU/AAX) is a granular processing effect incorporat­ing a simple reverb.

GrainSpace slices each input channel into up to 32 grains of between 16 and 500ms in length, as establishe­d by the Grain Size and Distance knobs. The Distance control widens and narrows the spacing of the grains, and by tweaking it in conjunctio­n with Smear (which applies a series of all-pass filters to smooth the transition­s between grains), all sorts of interestin­g tonal changes can be made to a sound without obviously ‘granulatin­g’ it. As well as the default Stereo mode, Mid and Side options are also on offer, the latter being particular­ly useful for blending peripheral weirdness in with the solid centre signal of a drum track, say.

Up to 24 semitones of upward/downward pitchshift­ing is on tap via the Pitch knob, while Feedback increases the feedback level of an inbuilt delay line, delivering everything from transient build-up to tail thickening, depending on the source material. Similarly edgy, the Stretch knob dials in timestretc­hing, speeding up and slowing down the playback of the grains using a satisfying­ly grubby algorithm that we really like the sound of. Position shifts the ‘playback head’ within the buffer, delaying it at positive values and reversing playback at negative settings.

Grain surgery

Grainspace features three modulation sources for animating various parameters: an LFO and two randomiser­s. The LFO sports 11 waveforms (including Blip Up/Down and Random) and synced rates from 1/32 to 16 bars (oddly, it can’t be unsynced), and can be routed to one of four destinatio­ns: Grain Size, Position, Stretch and Pitch. Each of the four targets proves brilliantl­y effective in its own way, making it all the more disappoint­ing that you can only modulate one at a time. Still, the Random Size and Pitch knobs, which increase the degree of randomisat­ion applied to those parameters for each generated grain, are great fun, although, again, it’s a downer that they can’t serve more targets.

Finally, the onboard plate reverb algorithm sounds great but allows nothing in the way of control beyond mix level, rendering it no more than occasional­ly useful. The separate mix and Grain Level knobs are handy, though, and the global Random button, scrambling everything but the Reverb, Smear and level knobs, is just the ticket on an experiment­ally-minded plugin like this.

Something of a flawed gem, GrainSpace is one of the most intuitive granular effects we’ve seen to date. The arbitrary limitation­s of the modulation scheme are frustratin­g, and the reverb seems bolted on (we’re told both are being addressed for an future update), but we can’t fault the core functional­ity, with which a huge range of sonically impressive treatments are catered to, from smashed-up drums and fractured FX to bizarre pads and subtly shifting ambiences. It’s another quality release from Audiority, at a very fair price.

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