Computer Music

PLUGINS MODULAR SESSION

Untangle those virtual cables, get patchin’ and pursue the creative spark with our course

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Our masterclas­s gets you patching with our free plugin collection

It’s a temporal paradox that would leave James Cameron scratching his noggin: after fifty years, modular synthesise­rs are again the hip ‘new’ thing, with more manufactur­ers than ever before trundling out modules and systems in a variety of formats, from Moog-style behemoths to diminutive Eurorack systems.

In the 1960s, Moog and Buchla had the field virtually to themselves. Robert Moog’s history as the guiding force that popularise­d electronic music is indisputab­le, while Donald Buchla’s pioneering instrument­s provided many a soundtrack to the stoned and less-thanimmacu­late hippies throughout the Summer of Love and beyond.

A few other manufactur­ers eventually joined the fray, including ARP, Emu, Serge, PPG and Polyfusion; while on the home front, Peter Zinovieff, David Cockerell, and Tristram Cary blasted off into space with the semimodula­r EMS VCS3 and Synthi A/KS.

All of these instrument­s had in common a flexibilit­y not offered by hardwired synth like Moog’s Minimoog. The signal paths of modular synths were not decided at the factory but by the user, generally using patch cables, but the method varied from manufactur­er to manufactur­er.

As you’d imagine, computers provide a tidier, more controllab­le field for modular synthesis, without compromisi­ng flexibilit­y. Ever-expanding DSP power means that would-be modular users can do things their wood-and-metal contempora­ries can only dream of. And thanks to Computer Music, it doesn’t cost a thing.

Indeed, a number of excellent semimodula­r instrument­s can be found among the multitudin­ous plugins bundled with each and every issue of . From classic recreation­s like the Buchla-inspired Aalto and XILS-lab’s spot on recreation of the EMS VCS 3, to more thoroughly modern takes such as u-he’s Bazille CM and the new Freestyle CM, we’ve got everything you need to start patching right away.

Modular synthesis is exciting and often inspiring, but it’s also complex and potentiall­y confusing. Rest assured, we’re here to help. Over the next few pages, we’ll guide you through some of the most common patches favoured by modular synthesist­s. You’ll learn the patching tricks needed to produce your own classic sounds. So what are you waiting for? Grab your virtual patch leads and fire up those oscillator­s!

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