Computer Music

6. Acidic saw line with Bazille CM’s sequencer encer

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One of the most useful reasons to get synth parameters moving with rhythmic modulators is to create complex, moving riffs and patterns that can be triggered by only a single note press. Let’s do just that with u-he’s monster Bazille CM (free in Plugins) – fire up a new instance of the synth in your DAW and call up the 00 User >> INIT preset from the Patches tab.

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Bazille CM’s nifty 16-step sequencer (bottom centre) is dividedd into four sections, and each block of fourour steps can be sent out independen­tly to modulate other parameters. We’ll set the he first four sequencer steps to 24, -24, 6 and 0, creating a melodic sequence signal that we can use to trigger a simplee riff. Before we go further, switch on the bottom-right

FX: Delay module for wideningng repeats.

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Let’s use our four-step sequence to change the first sawtooth oscillator’s pitch. Drag out from the sequencer’s first (leftmost) red output node, patch this cable into Osc 1’s FreqModDep­th input node (found under the Tune parameter), then push up the FreqModDep­th amount knob to the max 50. Trigger the synth with a MIDI note – our sequencer steps trigger a repeating melodic riff.

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Modulating Bazille CM’s Fractalize parameter will give our sawtooth tone an acidic, hard sync-like vibe. To first get to grips with this timbre-twisting effect, switch the Fractalize Type to Triangle via the dropdown menu. Increase the Fractal

Value knob to make Bazille CM ‘pack’ in multiple copies of Osc 1’s waveform into a triangle waveform.

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Let’s use the Multiplex module to mix sequencer and LFO signals. Set the next four sequencer sliders to -34, 30, 60 and 34; then drag from the sequencer’s second red

output node to patch a cable into the Multiplex module’s top-left input. Drag from the LFO’s red output and drop a cable into the Multiplex’s bottom-left input to combine the sequencer and LFO signals.

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Set LFO’s Wave Symmetry to 0.00 for a downwards saw shape, then set its

Rate to a synced 2/1 value. Now to modulate Fractalize: pipe a cable from the first Multiplex output and drop it into Osc 1’s leftmost Fractalize input, then turn FractalMod­Depth up to 3.40. Crank up the Multiplex’s Gain 1/2 knob for bubbling gnarliness!

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