Computer Music

Tom’s rumbling techno kick drums

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Tom begins by revealing the secrets behind his banging warehouse vibes: by starting with a rumbly kick. To demonstrat­e, he sequences a 909 kick on every beat, and sends this to a Return track in Live, on which he places an Overdrive to distort the signal. A Convolutio­n Reverb Pro then provides a boomy, warehouse-style echo signal, then Filter Delay creates rhythmic movement. Finally, an Auto Filter filters out the signal’s high end, leaving just a pounding, subby throb.

Tom explains further. “This rumble isn’t a ‘character’ sound; it’s not a bass sound that needs to be a specific tone, but will give you the power of the kick underneath. I bounce this, then use [Xfer Records] LFOTool as a sidechain effect, because for me, it’s an easier way to sidechain, rather than routing anything, and it makes it automatica­lly pump all the time.” Tom then adds a Soundtoys Decapitato­r and UAD Pultec EQ before LFOTool, and uses these to sculpt the sound and give him the tone he desires. “I’ll add some extra saturation with Decapitato­r or similar. Most of the time, I use emulations of old EQs, like the ones from UAD, for extra colour.”

 ??  ?? Tom uses this processing chain to turn a raw 909 kick sample into a roaring, warehouse-style monster bass drum
Tom uses this processing chain to turn a raw 909 kick sample into a roaring, warehouse-style monster bass drum

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