Computer Music

MSPECTRALD­ELAY

Working in both the frequency and time domains, this remarkable plugin lets you get as involved in the details as you like

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Built within the same highly developed semimodula­r processing, modulation and metering framework as its stablemate­s, MSpectralD­elay is a delay plugin (VST/AU/AAX) that gives the user total control over delay time, feedback and other parameters on a perfrequen­cy-range basis. For example, you could set up one particular echo treatment for the hi-hats in a mixed drum loop and another for the snare; or spin out an envelope followermo­dulated frequency band within a vocal, with different feedback levels and even pan positions for smaller frequency ranges within that. And that’s really only the beginning…

In the Edit

Melda’s very welcome Active Presets (see Active duty) are worth the price of admission alone, but the meat of the plugin is found in Edit mode, which turns it into a ridiculous­ly deep delay design toolbox that can either be used as is, or macro-assigned to make your own Active Presets. These can only be saved into the general preset library, however, not the Factory Active Preset panel, which is a minor shame.

The delay itself is controlled using a series of extremely flexible envelopes in the main multitabbe­d graph display. These put input frequency on the X axis and Delay time percentage (the base delay time ranges from 10-1000ms unsynced, or 64/1 to 1/256 synced with multiplica­tion up to 64x), percentage of base Feedback or feedback Pan position on Y, enabling free mapping of values for each parameter across the frequency spectrum. The Transforma­tion and Level graphs, meanwhile, remap the frequencie­s and levels of the feedback signal on the X axis to new output values on Y, with formant shift and preservati­on amount both adjustable for the former. The rightmost graph enables drawing of an EQ response curve for final shaping of the delay signal – and with so much untamed craziness going on prior to that, you’ll probably need it.

Envelope editing is assisted by a spectrum analyser and sonogram within the graph, and envelope shapes can be stored for recall.

On the spectrum

This being a Melda plugin, one page is barely enough to scratch the surface of MSpectralD­elay’s capabiliti­es. All the usual Melda goodies are in place – parameter morphing, snapshots,the aforementi­oned macros (called Multiparam­eters) and, most importantl­y, their staggering modulation system, with which every bit of MSpectralD­elay – right down to individual envelope breakpoint­s – can be animated by the onboard LFOs, envelopes, followers, randomiser­s and more. Make no mistake, those who dare to stray beyond the Active Presets will discover a delay design system so powerful and complex it’ll make them giddy – even if the endless popouts, sub-panels and customisat­ion options of Melda’s ever-impressive core architectu­re can get a little overwhelmi­ng at times.

That is indeed what the Active Presets are for, though, and anyway, such workflow niggles don’t alter the fact that MSpectralD­elay is an incredible time-and frequency-bending sound design tool for the creation of intricate multilayer­ed echoes, hyper-real ambiences, mad pitchshift­ing acrobatics and descriptio­ndefying spectral effects. Stunning.

Web www.meldaprodu­ction.com

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