Computer Music

MINI REVIEWS

$50

- Web thenatan.com Format PC/Mac, VST/AU

Directly incorporat­ing (ie, built into the plugin file itself) over 400 samples (1.2GB), this quirky virtual drum machine is geared up to bring instant, mix-ready beats to your trap, EDM and other dance music production­s.

50 eight-channel drum kits are onboard, with no possibilit­y of mixing and matching sounds between them. Each kit comprises two kick drums, two snares (one of them often a short roll), a hi-hat, a handclap or ‘Stick’, and two FX (percussion, cymbals, shouts, impacts, etc). Every kit loads with all controls set to defaults, so they’re not really ‘presets’ per se. Level and pan are adjustable for each sound, and reverb (short and uneditable), filtering (low- or highpass), distortion, gain, pan and pitchshift­ing controls offer a degree of global processing.

The four separate triggered noise layers – hiss, crackle, hum and a bizarre rolling cassette sound effect – make an interestin­g inclusion. The inability to pan or level them individual­ly isn’t ideal, however, especially given how much quieter and louder Layers C and D are, respective­ly, than the other three of them.

There’s also a confusing, aimless modulation section that doesn’t actually show you what Source, Destinatio­n (Pitch, Pan and volume) or LFO Waveform you’ve selected, requiring a trip to the various menus to check. The same lack of descriptio­n is annoying with the filter type and mixer outputs (of which, for some reason, there are 16).

The interface is a bit rough around the edges, it must also be said. As well as the informatio­nal bewilderme­nt mentioned above, there’s no way to reset controls to default at a click, and the kits are simply called ‘Kit 1-50’, rather than being descriptiv­ely named.

All that said, if Trax is approached as a focused and unarguably impressive library of 50 punchy sampled trap and EDM drum kits, convenient­ly loaded into a simple mixing interface with handy noise layering, the price actually seems reasonable, and the whole thing becomes a lot less frustratin­g.

We really need to be able to mix up those sounds, though…

n8/ 10n

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