ORCHESTRAL TOOLS AMBER

Orchestral Tools’ new Creative Soundpacks are more than sample packs – they run in a player that gives Kontakt a run for its money

Orchestral Tools are yet another Berlin-based music technology company – what is it in the water there? – and one who specialise in producing, you guessed it, orchestral libraries. However, these can be a little different, to say the least. The company’s award-winning Metropolis Ark collections supply everything from bombastic orchestral parts for trailers to deep and epic sounds, while Junkie XL Brass is their ‘artist’ title, a collab with the famous composer and producer. However, these retail at €549 each and €749 respectively, so how do you fancy some Orchestral Tools manoeuvres on the cheap, and a free player to go with them?

Sine me up

Orchestral Tools’ Creative Soundpacks are just that: packs of distinctive, themed sounds that run within OT’s new SINE Player that you can download for free. It’s a kind of easy-to-use Kontakt player with neat OT touches – see below – within which you can download individual parts and presets of the Soundpacks, or the whole lot should you wish. You can load them up and play, with extra mixer and dynamic controls and more. Yet importantly for many of us – and in particular those who might have been put off by the knowledge bar to entry required for some orchestral libraries – you don’t need to know much (indeed anything) about an orchestra to get the best from them.

We’re focussing on Amber which provides “a left-of-centre sound; a compelling string quartet that gives your music an unconventional and vibrant quality”. It is the most expensive of the three packs at €149, the others being Arbos (for natural world percussion at just €49) and Babel (“soft vowels, elegant textures, and unexpected vocal patterns” for €79).

You first download the SINE player which runs standalone or in your DAW and then choose which presets from categories within the pack to download which, with Amber, can be up to a total of 8GB. You get different mic positions and other variations to download and you can do this by instrument (titled more directly as Violin or Cello, or more descriptively as things like Sci-Fi Drive) or by type.

Then simply load up and play articulations – which are automapped to certain keys – via the virtual keyboard or your own controller.

Drama from up north

Anyone familiar with the kinds of soundtracks that have been dominating everything from games like The Last of Us to Scandinavian ‘noir’ crime dramas will love Amber. It’s a sound that can be melancholic in its understatement, barely shimmering, or then developing into heart-tugging string-based drama, as the revelation of the murderer or the death of the main protagonist you didn’t expect takes place.

Presets resets like Nebulous Traces from the Pads section on will have you thinking you’re some kind of successor ccessor to Thomas Newman scoring Shawshank wshank or Zimmer ‘doing’ Interstellar and all of them em will have you reaching for your DAW to compose pose with or add ambience and sweeping emotion tion to any existing pieces.

Sure ure there’s work to be done with SINE – there e are surely features to be added – but what OT are capable of filling it with is sublime. These recordings are second to none and the emotion and detail that is invested here is undoubted. Incredible sounds, incredible value.