Computer Music

Space-age classics

We’ve gone futuristic with our classic Vault samples as well – here are two sci-fi packs from issue 290. Get them at filesilo.co.uk or via WeTransfer

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Outer Space

We’ve gone out of this world with our new and classic sample packs this issue. Here are two classic packs from issue 290, produced by Cyclick and Groove Criminals. Robbie Stamp from Cyclick says of his set…

“Space is the place with hits and loops to evoke the cold, eery vastness beyond our small planet. The sounds are very much in the sound design category but many will find a home as beds and incidental transition sounds in many music genres. Here’s what’s in those folders…

Cosmic Oscillatio­ns – Arturia, ARP2600 and Moog Modular through distortion, reverbs, modulation and filtering.

Event Horizon – The event horizon of a black hole. Needless to say that the Eventide Blackhole reverb was used.

Heavy Atmos Loops – Dark, brooding noise and tone mixes.

Nebula Noise – As Cosmic Oscillatio­ns, but a self-oscillatin­g MF101 into a matching RingMod via a Moog MF Trem.

Planet Storm Loops – As Cosmic Oscillatio­ns but with a lot of noise and LF range oscillator tunings.

SciFi Drone n Tones – Buchla Easel and Synthi V through a chain of FX.

SciFi Loops – Featureles­s sound beds; work as they are or with FX.

SciFi Noise Hits – The Buchla Easel and the Synthi V into a long FX chain.”

SELECTED Arturia V Collection GEAR USED

Focusrite ISA828 preamp iZotope Ozone/Neutron

LiquidSoni­cs Seventh Heaven

Sonic Charge Echobode

Steinberg Nuendo 8.3

Unfiltered Audio Dent 2

Valhalla Supermassi­ve

Various Eventide, Soundtoys and UAD plugins

Various Moog MF (Trem, 101 LP Filter, 102 Ring Mod)

The Final Frontier

Maintainin­g the deep and spacey feel, Oli Bell from Groove Criminals says of his space-age Vault collection:

“We’re travelling through the cosmos into the deep reaches of the universe for these samples. All our basic tones were taken from our Eurorack modular gear (for the drones, percussion hits and effects) or various softsynths stacked and blended together (for the multis, drones and atmosphere samples).

“We also used lots of reverb, a mixture of both hardware and software. EHX Ocean 11 and Old Blood Noise Minim pedals provided shimmers, reverse and tremolo hardware reverb. On the software side we leaned heavily into Valhalla’s DSP Shimmer verb for those chiming, deep, mysterious reflection­s.”

SELECTED GEAR USED

EHX Oceans 11 pedal

Old Blood Noise Minim pedal

Valhalla DSP Shimmer ‘verb

Various softsynths

Various Eurorack modules

 ?? ?? OUTER SPACE FINAL FRONTIER
OUTER SPACE FINAL FRONTIER
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