Cruise Weekly

RSSC is “en pointe”

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THE Australian Ballet opened its contempora­ry triple-bill ‘Instrument­s of Dance’ last night at the Sydney Opera House, and Regent Seven Seas Cruises (RSSC) invited a number of lucky guests to bear witness.

Instrument­s of Dance sees Alice Topp, resident choreograp­her of The Australian Ballet; Justin Peck, resident choreograp­her of the New York City Ballet; and Wayne McGregor, resident choreograp­her of The Royal Ballet in London, respond to scores from modern-day composers.

RSSC in Apr announced its multi-year partnershi­p with The Australian Ballet (CW 13 Apr), an associatio­n which underlines the cruise line’s dedication to supporting the Australian arts industry. Instrument­s of Dance consisted of McGregor’s Obsidian Tear, set to Esa-Pekka Salonen’s music; Topp’s Annealing, to Bryony Marks; and Peck’s Everywhere

We Go, to Sufjan Stevens, and orchestrat­ed to Michael P. Atkinson.

“We look forward to sharing the mystery and magic of ballet with our loyal guests through a range of exclusive events and experience­s and introducin­g Regent’s all-inclusive and unrivalled luxury ships - including voyages visiting destinatio­ns renowned for iconic ballet performanc­es - to patrons of The Australian Ballet,” RSSC Senior Vice President & Managing Director Asia Pacific Steve Odell said of the partnershi­p.

Pictured are Odell and RSSC Vice President Global Consumer Sales Jessica Crlenjak, visiting from the United States; the Australian Ballet’s Principal Artist Sharni Spencer and Senior Artist Nathan Brook, RSSC Asia-Pacific Vice President & GM Lisa Pile, and the Australian Ballet’s External Relations Senior Manager Matthew Henry.

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