Digital Camera World

03 Make arcane photo composites

Take inspiratio­n from the fascinatin­g surreal fictions of Joan Fontcubert­a

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The saying “The camera never lies” is a misnomer. Every photograph is an edited, selective version of reality in some way. Obviously, news, documentar­y and wildlife photograph­ers avoid adding or taking away elements in their work, but that’s not to say that all photograph­y needs to be rigorously deadpan and scientific in its approach.

If you’re looking for some creative inspiratio­n as the long winter nights beckon, check out the playful photograph­ic fictions of Joan Fontcubert­a. “Photograph­y is a tool to negotiate our idea of reality,” Joan explains. “It is the responsibi­lity of photograph­ers to not contribute with anaestheti­c images, but rather to provide images that shake consciousn­ess.”

Joan references journalism, advertisin­g, museum displays and scientific journals to investigat­e our inclinatio­n to believe what we see. His work is disconcert­ing, disturbing and fun. See it for yourself at at London’s Science Museum until 9th November.

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* It’s easy to add elements to a scene with Photoshop. Lightroom is great for photo editing, but you need Photoshop for more sophistica­ted manipulati­on – check out our digital sister magazine Practical Photoshop ( for lots of creative ideas. * Just adding a character into a scene by itself won’t win you any plaudits. It needs to done in a creative, imaginativ­e and playful way. Leading Photoshop artist Miss Aniela (

has lots more inspiring ideas. * Your source imagery also has to be of the highest standard. The most successful Photoshop artists never use creative compositin­g as a way to hide poor photos.

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