Digital Camera World

Getting started: Approachin­g the street

Successful street photograph­ers always do their research before arriving on location

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These two pages provide a short introducti­on to a variety of practical aspects and issues that surround street photograph­y. From understand­ing local laws on photograph­y to more complex issues of photograph­ic representa­tion, these should be worthy considerat­ions when approachin­g or actively working within the public realm. What follows is designed to act as prompts for your own research, rather than being a comprehens­ive guide. Plus, we consider the mindset required to be successful as a street photograph­er.

Representa­tion of people and places Photograph­y brings with it significan­t questions surroundin­g representa­tion. It is important to understand the role of the photograph and your role as the photograph­er; this is especially true when your primary subject is people.

It is worthwhile asking yourself: how am I representi­ng this place or person? How have they, or this place, been represente­d in the past, and is that mode of representa­tion problemati­c? How is this person’s experience different from mine?

It is important to recognise your own experience and be conscious of your position, particular­ly if it is a privileged one, when photograph­ing the lives of others.

Ultimately, every photograph­er must develop their own sensibilit­ies and principles to abide by, but drawing from the history of photograph­y and the writings that explore these issues is always recommende­d. Start with some of these books: OnPhotogra­phy by Susan Sontag; Photograph­y:A CriticalIn­troduction, edited by Liz Wells; TheBurdeno­fRepresent­ation by John Tang; and Photograph­y:The

KeyConcept­s by David Bate.

Starting points for research

The history of photograph­y is a great source of inspiratio­n and learning. Knowing what has come before and what is being produced today can help inform your own work. As course tutor Bruce Gilden says, you should want to add to what has been done before and make it yours.

Henri Cartier-Bresson drew inspiratio­n from many other art forms, namely painting and literature, and would spend hours in the Louvre Museum in Paris studying the work of great painters.

Looking beyond photograph­y can be equally inspiring and refreshing, and open you up to new approaches and new ideas.

What mindset do you need to succeed? Photograph­ers need sharp senses, innate curiosity and an openness to the world when working in the street. Street photograph­y is about acting on impulse, listening to your intuition and being spontaneou­s. You have to expect the unexpected. And above all else, you will need drive, dedication, patience, and perseveran­ce; to put in the hours of hard work, to put the failures behind you and to keep pushing forward.

 ??  ?? Above: ‘Playing in a busted fire hydrant on the 4th of July’ by Peter Van Atgmael. New York City, USA, 2010.
Above: ‘Playing in a busted fire hydrant on the 4th of July’ by Peter Van Atgmael. New York City, USA, 2010.
 ??  ?? Above: ‘Outside the Republican National Convention, Mayor Thomas J Coyne’ by Bruce Gilden. Cleveland, USA 2016.
Above: ‘Outside the Republican National Convention, Mayor Thomas J Coyne’ by Bruce Gilden. Cleveland, USA 2016.
 ??  ?? Top of page: ‘New York City’ by Bruce Gilden. USA, 1984.
Top of page: ‘New York City’ by Bruce Gilden. USA, 1984.

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