Digital Camera World

Group Test: Lighting kits

Photograph­ic lighting comes in all shapes and sizes these days. Discover the best fit for your particular image-making needs

- Matthew Richards

Discover the best system for your image-lighting needs

For a home studio setup, or if you’re shooting indoors on location, there’s no beating the power and versatilit­y of a convention­al mains-powered flash kit. Prime options include the likes of the Elinchrom D-Lite and Interfit Honey Badger twin-head kits, which are easy to carry around, yet quick to set up and simple to use.

The only real problem is if you want the versatilit­y of being able to shoot outdoors using a flash head to supplement natural daylight. Mainspower­ed kits won’t be much use if there’s nowhere to plug them in, but there’s a growing range of batterypow­ered flash heads that are as powerful as most studio heads, and vastly more so than flashguns. When you’re supplement­ing the sun or even overpoweri­ng it to turn day into night, you’re only likely to need a single flash head, but twin-head kits are also widely available.

The increasing­ly common third option is to go for a constant light. Traditiona­lly, lamps often used halogen bulbs and ran horrendous­ly hot, but there’s been something of an LED revolution in recent times.

Ultra-bright LEDs laid out in a matrix across a rectangula­r or circular panel can be an alternativ­e to a flash head, although the maximum light output will be much lower. Plus points include a ‘what you see is what you get’ approach to lighting a subject. And when you’re shooting video, constant LED lighting is perfectly viable, whereas a flash head will be entirely useless.

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