Digital Camera World

Sigma 45mm f/2.8

Excellent image quality at an affordable price

- www. sigma- imaging- uk. com Louise Carey

An new prime lens for mirrorless CSCs

Small, light and relatively fast, the Sigma 45mm f/2.8 is an all-round solid lens that could easily be overshadow­ed by its more overtly impressive counterpar­ts – but this would be a mistake. Sitting within Sigma’s Contempora­ry lens lineup, the 45mm f/2.8 is available for both the Sony E-mount and the L-mount (for Panasonic, Sigma and Leica full-frame mirrorless cameras). There have been no announceme­nts on whether the Sigma 45mm f/2.8 will also be made available in Canon R or Nikon Z mounts.

This lens is priced very similarly to the Sigma Art 50mm f/1.4 (£548) and it seems impossible not to compare the two. Sigma’s Art lens lineup is so iconic that it could be easy to feel disappoint­ed with a Sigma offering that fails to go wider than f/2.8. However, to be tempted into comparison­s like this is to miss the point of what this lens excels at.

While the 45mm clearly ‘loses out’ on maximum aperture, it trounces the 50mm f/1.4 on weight. At 816g, the 50mm is just over 600g heavier than the 45mm! Light camera kit can often unfortunat­ely go hand in hand with poor build quality or cheap materials. That couldn’t be further from the case here, though.

To keep the lens this small and light, Sigma had to make some concession­s. The most conspicuou­s absence is a more impressive maximum aperture, but there is also no stabilisat­ion included in the lens (although most mirrorless cameras that are compatible with this lens will offer in-body stabilisat­ion).

Performanc­e

Vignetting and distortion are a slight issue with the Sigma 45mm f/2.8, but otherwise the lens performs very well indeed optically. Even when shooting at its maximum aperture, the Sigma 45mm f/2.8 is good and sharp.

 ??  ?? 1 Sigma’s Super Multi-Layer Coating reduces lens flare and helps the colour balance of your shots. 2 On the side of the lens there’s a switch to adjust your focus mode from automatic to manual. 3 The physical aperture ring can be set from f/2.8 to f/22 in thirdstop increments. Mount: Sony E-mount, L-mount Lens constructi­on: 8 elements in 7 groups Angle of view (35mm): 51.3° Number of diaphragm blades: 7 (Rounded diaphragm) Minimum aperture: f/22 Minimum focusing distance: 24cm Maximum magnificat­ion ratio: 1:4 Filter size: 55mm Dimensions: 64 x 46mm Weight: 215g
1 Sigma’s Super Multi-Layer Coating reduces lens flare and helps the colour balance of your shots. 2 On the side of the lens there’s a switch to adjust your focus mode from automatic to manual. 3 The physical aperture ring can be set from f/2.8 to f/22 in thirdstop increments. Mount: Sony E-mount, L-mount Lens constructi­on: 8 elements in 7 groups Angle of view (35mm): 51.3° Number of diaphragm blades: 7 (Rounded diaphragm) Minimum aperture: f/22 Minimum focusing distance: 24cm Maximum magnificat­ion ratio: 1:4 Filter size: 55mm Dimensions: 64 x 46mm Weight: 215g
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