Au­di­ble through Lella’s car ra­dio, the game’s sound­track, com­posed by Ni­colò Sala, goes a long way to help­ing flesh out the game’s acute sense of place. Touch­ing on prog rock, scratchy post punk, and even new wave, it’s a fine foil to the blaz­ing coun­try­side and di­lap­i­dated coastal towns you’ll drive through. The sound­track might be short, with only four tracks com­mis­sioned for the game, but the songs are mem­o­rable, fram­ing the melan­choly and re­bel­lion at the heart of it.

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