EDGE

THE LEGEND OF ZELDA: LINK’S AWAKENING

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Remaking a 25-year-old Game Boy game would, on first impression, appear to an odd way to follow Breath Of The Wild; after such a groundbrea­king reinventio­n of the Zelda formula, it seems like a step back in more ways than one. But then shifting to a more traditiona­list approach has hardly done Mario any harm in recent years. Besides, Eiji Aonuma has been thinking about returning to Link’s oddest outing for a good few years now. Indeed, when we interviewe­d him about Breath Of The Wild back in E296, Aonuma alluded to making a game about “living as a thief”. Now, anyone who’s played Link’s Awakening will remember what happens if you steal from the shop (and for those who haven’t had the pleasure, we won’t spoil the surprise). So, we ask, the penny suddenly dropping, was that what he was alluding to back then? He’s laughing before we’ve even finished the question: “Yup, that was it!”

Like Miyamoto, then, it’s clear Aonuma can’t resist dropping the occasional cheeky hint. Little wonder: he’s evidently excited about going back to a game that has had a huge impact upon his tenure in charge of the Zelda series. Aonuma may have been at Nintendo when Link’s Awakening was in developmen­t, but he didn’t have a hand in its creation; rather, he experience­d it as a player. “This game has a very special place in my heart,” he says.

Indeed, Awakening had a major influence on Aonuma’s thinking when Miyamoto first invited him to direct the game that many still believe is the pinnacle of the whole acclaimed series. “When I started working on Ocarina Of Time, this was the first time a lot of us were handling a 3D game," he says. “And so it was a challenge. We didn’t know what was right. We didn’t know what the correct answer was. But I always had the vision of the dungeons and the gameplay from Link’s Awakening. I never told anybody specifical­ly, but I always had that in the back of my mind, and tried to convert the feeling I got from Link’s Awakening into a 3D world.” Offering an example, he explains that the Roc’s Feather from Awakening was the direct inspiratio­n for Link’s auto-jump in Ocarina.

It’s been something of a homecoming for several Nintendo veterans, in fact, including director Takashi Tezuka and story/scenario writers Yoshiaki Koizumi and Kensuke Tanabe. So while plenty of players will be looking forward to having fond memories rekindled this September, the process of remaking it has been something of a nostalgia trip for the developers, too. “It’s been a very interestin­g experience,” Aonuma tells us. “Once we had the game at a good point, I had Mr Tezuka and Mr Tanabe play it. And they’re like, ‘Hmm, can you fix this?’ But I’m like, ‘No, this wasn’t great about the original. I’m keeping it.’ So then there’s this back and forth…” he laughs. And yet Aonuma admits it’s often been the younger staff members who’ve been the most likely to suggest changes – or, for that matter, to insist on what should be kept intact. “They were the ones that were really passionate about having a good balance between the original and the new,” he explains.

It’s heartening – and not a little relieving, having played the relatively cautious opening 15 minutes – to learn that we can expect a few surprises beyond its charming new look. Not least because it demonstrat­es that Nintendo has managed to foster a similar creative spirit to a quarter of a century ago, back when relative whippersna­ppers such as Tanabe and Koizumi saw fit to introduce Chain Chomps, Goombas and Kirbys (or rather Anti-Kirbys) to the nascent Zelda formula. The message is clear: there’s going to be plenty of the strange as well as the familiar in Link’s reawakenin­g. Meanwhile, a new generation can look forward to being surprised by the ingredient­s we old stagers have come to take for granted. This isn’t a Zelda like no other, then, but a Zelda like only one other – and whether you remember that wonderfull­y weird four-colour fever dream or not, that’s surely something to be celebrated.

There’s going to be plenty of the strange as well as the familiar in Link’s reawakenin­g

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