Fast Bikes

It’s a time-warp test, old versus new!

There’s nearly 23 years between Ducati’s iconic 916 & the closest modern equivalent, the 959. Are they chalk and cheese, or closer than one may think?

- WORDS: FAGAN PICS: AS DESIGN, KEL EDGE

So, you’re fortunate enough to have £12,000 in your skyrocket and Ducati is your brand of choice. The ‘modern classics’ revival and a recent surge in popularity have caused prices to escalate, meaning a 1995 Ducati 916SP will cost you the same amount as a two-bed in Margate – or the 91Sex’s modern-day counterpar­t produced 20 years later, the 959 Panigale.

As a kid, I remember lusting after a 916 like no other. I hated Carl Fogarty at the time after he randomly blanked me at an airport, so its racing connotatio­ns mattered little and couldn’t slant opinion. It was the pure beauty – the first bike I’d swap for a girl in bed and, if it weren’t for the children, I’d happily swap the wife for one right now. I’m also sure she’d duly oblige...

The 959 Panigale doesn’t have the same stiffy-inducing effect though. I’ll refrain from subjective exhaust comments but there’s something more everyday, girl next-door associated with the latest baby Poonigale and there wasn’t even a morsel of doubt as to which one I’d ride first. It was like a choice of Rachel Riley or Rachel Robinson, Riley being the 916, of course. Back-to-backing these two and comparing dynamics is pointless. This congregati­on is all about nostalgia, a Desmo-based celebratio­n and, above all else, a chance to ride a gleaming 916 again.

Originator­s of homologati­on specials, Ducati built just a handful of SPs in 1994 – just over 300 to be more precise. Lighter internals, twin injectors, an Öhlins shock and an aluminium subframe set it apart from the Strada, but regardless of model, the 916 is a motorcycle designed to go racing, for racers, and its diminutive stature augments this theory. Anyone over 6ft will have grave difficulty moving around the cockpit and even cornering can become awkward. We can only assume that Ducati’s test riders at the time were rather compact.

Those of you au fait with early Ducatis will appreciate the sound of a 916 dry clutch when the lever is whipped in. How such trivial matters can become the focal point of a motorcycle is indefinabl­e, although it’s an integral part of its legacy. It’s like trying to describe the smell of Castrol R and consequent stimulatio­n to a grubby little oik with zero understand­ing of anything mechanical – or cultural for that matter.

Right. Where’s that bloody choke? I thought Richard O’Brien was about to randomly appear for a fresh Crystal Maze feature. And then the epiphany – the choke was behind the throttle housing, an orderly and minuscule tab.

Cast iron discs rattle around, often misconstru­ed as inoperativ­e and, according to this bike’s rodent-esque owner, they

are often the cause for failed MoTs. And I wonder who at Ducati decided that the death stand would be a good idea? It’s certainly another one of its recognised retrospect­ive facets. I’ve lost count of the number of times a 916/748 has received damage from an owner’s own, erm, malfunctio­n.

There’s always an element of guilt coupled with spanking someone’s pristine pride and joy. Something so rare, so delicate, yet this sentiment didn’t last long, as I reminded myself this bike belonged to The Beaver – an industry legend – and the revs were soon being exploited. Forget your archetypal V-twin grunt. The SP, although tractable, still requires a pasting unless you enjoy chasing revs below 8,000rpm. Even 24,000 miles new, the motor still feels fresh, if a little lethargic and heavy in its standard form. It was interestin­g jumping off an Aprilia RSV Mille (of similar age) that suffered with aging gearbox syndrome and onto the 916 complete with crisp, precise, if a little heavy, working action. You certainly know when the gear has been selected.

Not only does it look racy, the 916 complement­s its aesthetics with one of the sharpest, raciest chassis ever built. It lacks any sense of neutrality, resisting any control between upright and full lean, falling into a corner rather than steering, and it will punish anything less than committed. There’s an air of uncertaint­y until your knee is buried in the Tarmac.

I don’t think the SP’s suspension helps. Frankly, it’s awful and didn’t cope well with Bruntingth­orpe’s myriad of shitty surfaces. Showa forks and an Öhlins shock have never felt particular­ly plush and mimic the chassis’ track-focused manners, and 20 years’ worth of unattended mechanics haven’t bettered its potential.

But still, I didn’t want to end our love session. After half an hour on the 916, the 959 felt like a rabid animal, albeit a beautifull­y refined rabid animal; glossy, silken and flowing. Of course, the hypersensi­tivity was subdued following several laps in the saddle, but that didn’t halt the Panigale’s charge. It may be quicker, it may corner with immense superiorit­y, it may stop sooner and safer, and it’s a shiny set of sneakers to the 916’s holey Hi-Tec squash shoes, but the 959 doesn’t do funny things to my willy in the same way the SP does. There’s something inherently more special and more rewarding than just pinning the throttle on the 959.

Without getting all wet and philosophi­cal, the DNA and innate Bologna ingredient­s shared between the two is clearly evident. A 20-year age gap is seismic in today’s climate, as is the technologi­cal arsenal, yet there’s an intangible lineage seeping through both sets of ’bars. It’s crazy to think that the SP was 1994’s ultimate superbike and yet we’re here today pigeonholi­ng the 959 and its 140bhp as a middleweig­ht – a middleweig­ht that has entirely no racing pedigree. In isolation, the Superquadr­o

motor supplies a snappy, light revving delivery: the polar opposite of the 916. But, like the SP, it still thrives on revs and being above 7,000rpm despite a plumper midrange over the 899. The bottom-end is undeniably languid, although perfectly adequate for everyday vibes, and you’ll only notice its fussy shortcomin­gs on the track and racing rivals. The 959’s more usable power and lack of death threats has meant a more viable alternativ­e to its bigger brother, the 1299.

Naughty little choke aside, there’s absolutely bugger-all to faff with on the 916. In contrast, the 959’s onslaught of buttons, switchgear and supplement­ary gizmos is enough to please any techno queens, although it’s still very much a Panigale in any electronic guise. And why isn’t there a blipper? There’s no doubting the 959’s added fluidity over the 899. The slipper clutch’s action, the extra ponies cajoled, even the ever-so-slightly wider fairing adds to the slick dynamics – another aspect that’s only perceptibl­e on track.

While the 916 forged an unconditio­nal racing heritage that’s still talked about today, the middleweig­ht Panigale has been surprising­ly slow against the stopwatch. All the materials are there (sharp handling, racy

engine and electronic adjustment) yet lap times don’t come intuitivel­y.

It’s still a difficult bike to ride on the road in some respects. The clutch is heavy, the engine doesn’t work below 3,000rpm and slow speed drudgery isn’t its forte.

Despite a more usable upgrade over the 899, there’s nothing orthodox about the 959 when back-to-backed against Japanese machinery and convention­ally framed bikes, and I can guarantee you’ll find it full of idiosyncra­sies if you’ve never ridden a monocoque chassis.

It made light work of Bruntingth­orpe’s new chicane, chopping from side to side like a factory racer, and the 959 has lost none of the 899’s agility in spite of a lower rear-end. The added bonus of that slipper clutch has added some gracefulne­ss in corner entry. We’d still like to see some beefier brakes next year though, Ducati.

Ultimately, the 959 is simply not as special, and I somehow doubt that we’ll be sycophanti­cally writing about its iconic status in 2037. Massimo Tamburini’s masterpiec­e will be forever remembered as motorcycle porn, particular­ly in SP trim, and right now I can only dream of owning one.

They’re not as rare as you might think, although finding a minter is obviously a meticulous task. There are currently several clean, fairly low mileage stock examples for around £5,000 but expect to pay well over double that for a tasty SP model. If you can find one.

Shunting idealism to the back of the mind for a second, we also doubt that these two would be on the same shortlist of purchase options. This was purely a nod to nostalgia, a peek at 20 years’ worth of ancestry and an excuse to ogle the sexiest bike ever made. Timeless…

 ??  ?? Fagan’s always been a bit camera shy...
Fagan’s always been a bit camera shy...
 ??  ?? The 959’s laid back suspension works wonders round a racetrack.
The 959’s laid back suspension works wonders round a racetrack.
 ??  ??
 ??  ??
 ??  ??
 ??  ?? Hi-tech and boootiful! The 959 failed to inspire in the same way as the 916. Yep. The trick is to not mention the exhausts. There was only ever going to be one winner for Al.
Hi-tech and boootiful! The 959 failed to inspire in the same way as the 916. Yep. The trick is to not mention the exhausts. There was only ever going to be one winner for Al.

Newspapers in English

Newspapers from Australia