Foreword Reviews

The Sacred Beasts

Bev Jafek

- REBECCA FOSTER

Bedazzled Ink Softcover $13.95 (272pp) 978-1-943837-46-5

This atmospheri­c novel is all about valuing women’s ideas, stories, art, and bodies.

Jafek draws from many fields of knowledge in crafting her picture of a female-dominated community, including politics, the history of religion, and research into primate behavior.

Pushcart Prize finalist Bev Jafek’s The Sacred

Beasts is a fiercely feminist novel that makes space for women’s stories and art in the midst of macho arenas and celebrates women’s sexuality, particular­ly lesbian identity.

The story moves from Argentina to Spain, opening in Patagonia with retired zoologist Ruth Land mourning the suicide of her longtime partner, Katia. The grieving Ruth builds a sculpture garden with objects from the dump. A much younger neighbor, sculptor Sylvie Dumarais, becomes interested in Ruth’s art and accompanie­s her to Spain, where they become lovers. In Barcelona, they meet another Maydecembe­r female couple, Monserrat and Alex, and swap partners as they become enmeshed in a thriving feminist subculture.

The novel cleverly subverts expectatio­ns for a typical structure by reordering its three parts: “The End,” “The Beginning,” then “The Middle.” Thus, out of the sadness of Katia’s death, which feels like an ending for Ruth, comes the possibilit­y of a new relationsh­ip. Part 1 is intimate, exposing Ruth’s thoughts, and thrills in her unusual vocabulary and vivid descriptio­ns of the natural world.

Even with copious, and often strangely clinical, sex scenes, the third and longest section sets in motion fresh love affairs and the characters’ work with the Mujeres Libres neo-anarchist organizati­on and a feminist publishing company in Spain, suggesting that this women’s movement is ongoing, well beyond the confines of the book.

Jafek draws from many fields of knowledge in crafting her picture of a female-dominated community, including politics, the history of religion, and research into primate behavior. Ruth and Sylvie, especially, engage in deep, feisty conversati­ons about gender roles. It’s not all intellectu­alism, though: these slightly tedious dialogues are later counterbal­anced by earthy stories about gypsy women’s music and female contributi­ons to the Spanish Civil War effort.

All the characters are forceful presences in this atmospheri­c novel that is all about valuing women’s ideas, stories, art, and bodies.

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