Foreword Reviews

The Train to Orvieto

With careful settings and raw seams, The Train to Orvieto is a fascinatin­g journey of sins come home to roost.

- KAREN RIGBY

Rebecca Novelli Black Heron Press Softcover $17.95 (400pp) 978-1-936364-23-7

The Train to Orvieto details a Midwestern ingenue’s love for art—as narrated by her daughter—and the folly that sparks a lifetime of regret. Rebecca Novelli’s striking novel is an intimate, elegant portrait of an individual­ist who embraces an expatriate life, and of women’s roles in the twentieth century and the passions that guided them.

Distinct sections focus on Willa and her main loves. An impulsive dreamer from 1930s Ohio who moves to Italy to become an artist, Willa commits social errors that brand her as an outsider in the circumspec­t town of Orvieto. Novelli refreshes the classic subject of a woman who seeks selfdiscov­ery abroad, through a dramatic plot that pulls her flawed protagonis­t from an emotionall­y withering marriage to an affair that spans across years. Tension builds toward 1968, when Willa’s daughter, Fina, discovers the secret that soured her parents’ relationsh­ip.

Novelli—also a painter—deftly creates scenes in the Marcheschi villa that draw a stark contrast between Willa’s failed ambitions and the rustic truth of living in her husband’s family home. Willa gradually transforms from a naive, reckless young American to a capable landowner who continuall­y defies expectatio­ns. The journey between takes detours and predictabl­e turns yet portrays Willa’s disillusio­nment without judgment for her decisions. For all the book’s emphasis on whether women can shape their own fate in a time that favors tradition, its the subtler themes, like that of keeping faith amid darkness, that most stand out.

Few characters exemplify this quality more than Michel Losine, a Jewish gem dealer and widower whose family suffered the brutality of war. Ever the gentleman who has a cool demeanor and is a capable orchestrat­or of events, his success belies restrained vulnerabil­ity. The struggle between his loyalties to the living and the dead add depth to his actions. Fina displays a similar ambiguity, to a lesser degree. Her arc, if sparer and less assured than her mother’s, offers an alternativ­e to resignatio­n. Her efforts to pave-over past conflicts reveal a different strength. With careful settings and raw seams, The

Train to Orvieto is a fascinatin­g journey of sins come home to roost.

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