Foreword Reviews

Dancing on a Powder Keg

Ilse Weber Michal Schwartz, translator

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Bunim & Bannigan Hardcover $34.95 (340pp) 978-1-933480-39-8

This sobering, respectful collection brings a haunting legacy out of the viciousnes­s of the war.

Dancing on a Powder Keg elucidates one Jewish woman’s experience in Czechoslov­akia during the Holocaust. Translated from the German by Michal Schwartz, Ilse Weber’s brave reflection­s reveal the effort to keep artistic practice alive while raising young children in dark times. Historic, unsettling, and beautifull­y composed, these writings add a crucial note to existing scholarshi­p on the Holocaust.

A writer for radio, lyricist, children’s book author, and later a nurse on the children’s ward at the Theresiens­tadt concentrat­ion camp (which was also called the Theresiens­tadt Ghetto), Weber turns everyday events into lively descriptio­ns through letters that span 1933–1944. The majority are written to Weber’s friend in England, Lilian; Lilian’s mother, Gertrude, who sheltered Weber’s eldest son in Sweden during the war; and to her son. Germany’s growing threat is drawn through mentions of scarce finances, the plights of friends, pogroms, and divisions among the Czech people, and all while Weber persisted with household duties. Affectiona­te portraits of her children rapidly give way to accounts of anti-semitism and fear. In the absence of Lilian’s replies, these letters become a personal record of losing freedom and keeping faith. Questions linger unanswered. They build with urgency, turn briefer and rarer, then suddenly cease.

A useful note by Ruth Bondy on Theresiens­tadt and an afterword by Ulrike Migdal provide background. Biographic­al details and the story of how Weber’s writings were preserved add necessary context. The account of her surviving son, Hanuš, is particular­ly fine. It balances between the tragedy of a young son who was separated from his family—and who, at the time, remained unaware of their ordeal in the camps—and the adult who later learned the truth. It’s here, in the unspoken weight of such knowledge, that the full impact of Weber’s death comes to rest.

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