Foreword Reviews

WHAT THE MOUTH WANTS

- MEG NOLA

Monica Meneghetti, Caitlin Press, Softcover $22.95 (192pp), 978-1-987915-35-8

expresses with eloquent candor that while there are boundaries and behaviors to challenge, others of flesh and blood are sometimes best left alone.

Through swift, sensual chapters, Monica Meneghetti’s What the Mouth Wants: A Memoir of Food, Love and Belonging details a life lived on many levels. The author, part of a Canadian Italian immigrant family, is also bisexual. Her memoir focuses on discoverin­g her own complex personal identity while maintainin­g a unique appreciati­on for her ethnic background.

A passion for food vibrantly colors Meneghetti’s recollecti­ons, starting from childhood as she watches her mother chop herbs and garlic and stir simmering pots of minestrone. The family cuisine features gelato, risotto, cheeses, olives, homemade pasta, and steamed black mussels, their tightly clamped shells now open like “books left ajar,” allowing “glimpses of private life.” Meals were not to be interrupte­d by phone calls or other distractio­ns, and while dinner talk might flare into angry debate, the food was to be savored with respect.

Meneghetti’s mother is another integral part of the story, her presence solidly nurturing, with occasional moods of vulnerabil­ity or volatility. Beyond the family table is the world at large, a place of uncertaint­y but also excitement and exploratio­n. Early on, Monica senses that she’s different, with writerly aspiration­s and intense crushes on both sexes. While as a young woman she sees herself as a “geeky Italian girl” who pursues relationsh­ips with men, her desires eventually lead her to bisexual and polyamorou­s involvemen­ts.

Meneghetti’s ultimate family unit will include her male and female lovers, the trio living together in an open-minded, open-hearted arrangemen­t. New traditions are establishe­d, including new holiday dishes in combinatio­n with older recipes. Meneghetti realistica­lly and ruefully notes how she was not able to tell her father about her sexuality, due to his failing health and her concerns that he would see her as an even “queerer version of queer.”

What the Mouth Wants expresses with eloquent candor that while there are boundaries and behaviors to challenge, others of flesh and blood are sometimes best left alone.

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