Foreword Reviews

MIRACULUM MONSTRUM

A Hybrid Narrative

- LETITIA MONTGOMERY-RODGERS

Kathline Carr, Red Hen Press (OCTOBER), Softcover $21.95 (112pp), 978-1-59709-607-2 Haunting and eerie, Miraculum Monstrum is a fun-house mirror where past, present, and future bounce off one another. Kathline Carr’s feminist fairy tale Miraculum Monstrum is arresting, ominous, and dialectic, equal parts an emergent mythology, a damning treatise, and a horror story.

Set in an apocalypti­c near future, the book catalogues the transforma­tion of Tristia Vogel from a woman to a “latter hybrid,” a harpy-like creature both fragile and primal, able to survive an imminent ecological tragedy. The hybrid narrative uses art, poetry, narration, museum curating, and apocryphal texts to examine the constraint and constructi­on of women.

It is particular­ly interested in the spaces of the dispossess­ed, from Tristia’s closed medical wards to her drug-addict and hooker companions’ hovels and underpasse­s. Tristia’s miraculous, monstrous transforma­tion allows her to escape and exist, however briefly, in a hostile environmen­t where she’s free and ultimately alone.

Tristia is deified in her dehumaniza­tion and she emerges as a messianic figure for outcasts.

As humans lose the surface and submerge themselves deep undergroun­d, Tristia gains her freedom. But as each party trades sun for shadows, freedom for constraint, the dire price suggests that there’s a toxic force in these binaries.

Sadly, as the first recorded latter hybrid, Tristia seems to have little to no sense of the importance of what is happening to her. Her time and space is liminal, the event horizon for a future to come, and her messianic hagiograph­y is the result of posterity.

The book’s presentati­on of her life as retrospect­ive art show continues its play with social constructs, indicating just how much our bodies, our environmen­ts, our histories, and our very selves are creations informed and limited by forces that are deeply personal, even when they’re often beyond our understand­ing or control.

Haunting and eerie, Carr’s hybrid narrative offers a daring, prescient frame. Miraculum Monstrum is a fun-house mirror where past, present, and future bounce off one another, but the dangerous work of constructi­ng meaning is left for reflection just beyond the page.

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