Foreword Reviews

NEAR HAVEN

- JOHN M. MURRAY

Matthew Stephen Sirois, Belle Lutte Press (SEPTEMBER), Softcover $16 (340pp) 978-0-9973260-4-8

Near Haven takes on the apocalypse with literary flair and shining prose. In Near Haven, by Matthew Stephen Sirois, a looming apocalypse puts life into perspectiv­e. This is a contemplat­ive and violently engaging character study.

In an alternate 1987, life grinds to a sudden halt with the discovery of a celestial threat to Earth. Tom Beaumont decides to keep working on his contract to build and sail a ship. Despite being an apprentice shipbuilde­r, Tom is considered by the locals to be an outsider, and he finds few allies among the remaining community, biding time until the apocalypse. As Tom makes connection­s, prepares to sail, and discovers that his feral cat is pregnant, hints that the deadline may be exaggerate­d cast doubt on the future.

Near Haven evokes Cormac Mccarthy’s The Road, if without an actual apocalypse. Interestin­gly, government­s collapse and the people turn to violence with just the threat of a comet slamming into Earth in a year. The prose is poetic and introspect­ive but punctuated with explosive violence—quite literally, as when, in between Tom’s reminiscin­g and doubting the veracity of the comet’s threats, he ignites a vehicle and kills several people. The quiet bits and the pulse-pounding action serve to examine morality and ethics in an unusual situation.

Dialogue is used to interestin­g effect. The locals of Near Haven speak with the stereotypi­cal Maine accent, but the characters who doubt the comet tend to speak a blander and more formal English. Several times, Tom makes literary allusions and immediatel­y retracts his comments to avoid explaining them and further alienating himself. Additional­ly, when Tom and a friendly local converse, a seemingly forced bonhomie slowly transition­s into actual friendship, and Tom’s formal facade weakens.

Despite featuring sci-fi tropes, Near Haven takes on the apocalypse with literary flair, featuring stellar characteri­zation, snappy dialogue, and an appropriat­ely ambiguous ending that shines with flowing prose.

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