Foreword Reviews

THERE ARE FIRST NOVELS AND THEN THERE ARE DEBUTS

- BY MICHELLE ANNE SCHINGLER

First novels, as we think of them, are more an accretion of bursts of inspiratio­n than they are a grand entrance. Most often, they’re not the books that authors will most want to be associated with later. They often veer far afield of more practiced work. As readers, we readily excuse mistakes in first novels, since they are simply an author’s introducto­ry attempts. Debuts, though—debuts are all about making a memorable entrance, about staking claim to honored space in literary circles. They are the here I am! that won’t be ignored.

Think of the debutant balls of yore, where, after what seems to be a lifetime of preparatio­n, new adults prance out in all of their finery, presenting themselves to society with pomp, promising personal greatness. Now, hold the artifice (sorry, debs), transfer the careful arrangemen­ts to the page, and wait in expectatio­n for the defrilled literary equivalent: the first novel with flair. The unforgetta­ble hello. The pages that dazzle you with their originalit­y and bravery and individual­ity, whose characters and lines sear into you, leaving an impression ever after.

While we are appreciati­ve of the seasoned authors whose names carry familiarit­y and of whom we know what to expect, what we love even more is the thrill of encounteri­ng an author who exhibits true artistry. From issue to issue, and feature to feature, great debut authors and their works wield a particular kind of charm for us, a magic that we hold precious.

In this debut fiction spotlight, we have gathered the books of twenty such authors—writers of uncommon skill, with exemplary and awesome perspectiv­es, whose entrances warrant special attention. We have new takes on Southern literary tales, and rich, humanizing new approaches to historical moments. We have short story collection­s bursting with bottled magic.

One novel takes a hybrid form to explore identity and transforma­tion in a post-apocalypti­c setting; another takes on the aftermath of Hurricane Katrina, peering through one family’s experience­s to explore the fragility of human defenses. These books embody global insights; there are Inuit and Jordanian stories here, LGBTQ perspectiv­es, and more than one take on the end of the world.

No matter how broadly representa­tive the stories they hold, what binds all of these books together is this: they are unforgetta­ble. That they are debut works is just a bonus—just a hint of other great stories to come.

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