Foreword Reviews

Cobra Clutch

- JOHN M. MURRAY

A. J. Devlin Newest Press (APRIL) Softcover $18.95 (255pp) 978-1-988732-24-4

In this side-splittingl­y funny action mystery, a retired wrestler becomes embroiled in a strange kidnapping case.

An old wrestling buddy calls on “Hammerhead” Jed Ounstead for a favor. It seems someone has kidnapped his pet snake for an exorbitant ransom. Jed finds himself drawn into an official investigat­ion after the hostage exchange goes awry, leaving his friend dead.

Using his old wrestling contacts, his father’s police connection, and a colorful cast of characters, Jed delves deep into the world of small-time wrestling. Violence, sleaze, and sharp humor abound as Jed seeks revenge for his fallen friend and discovers who’s pulling the strings.

Cobra Clutch is a deftly balanced, fast-paced thriller with strong characteri­zation and raucous humor. Its action leads to an explosive showdown on the streets of Vancouver; it isn’t just relegated to guns but includes expert melee bouts between trained wrestlers and overeager goons.

Some of the best scenes take place between action sequences and include fantastic characters like a former IRA shooter turned bartender and a mismatched pair of wrestlers named Pocket and Tubbs. Jed’s characteri­zation steals the show and unspools perfectly over the course of the story. Subtle clues about his past pepper the narrative until he is finally fully revealed in a critical moment.

The apt humor nearly outshines the twisting mystery, as when Jed explains how he earned the nickname Hammerhead: by “breaking a twoby-four piece of Western red cedar over my head … It also might explain why I’m not very good at crossword puzzles.” It’s clear, though, that Jed is whip-smart despite his repeated brain injuries.

Cobra Clutch masterfull­y blends humor, mystery, thrills, action, romance, and heart into a hell of a story featuring a lively wrestler-turned-pi hero. The action scenes are intense, the quiet times heartwarmi­ng and engaging, and the humor expertly interjecte­d to accentuate characters and breathe realism into the story.

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