Foreword Reviews

Lion Cross Point

- KAREN RIGBY

Masatsugu Ono Angus Turvill (Translator) Two Lines Press (APRIL) Hardcover $19.95 (128pp) 978-1-931883-70-2

Masatsugu Ono’s Lion Cross Point is an atmospheri­c, melancholy tale about memory and absence.

Ten-year-old Takeru arrives at his mother’s childhood village by the sea. Under the care of a relative, Mitsuko, he settles into a languid summer. The interventi­on of neighbors, a new friendship with the second-grader next door, and sightings of a ghost are entwined with memories.

The spare and sometimes ambiguous narrative circles through past and present, dreams and reality. Tragedy is left implied; subtle grief folds into everyday encounters. As Takeru recalls his mother’s brutal lover, he also revisits acts of kindness. From a Haitian man who notices Takeru and his brother’s frequent abandonmen­t to others who offer drinks and food, the book hints that survival is intricatel­y bound with larger forces.

One man in particular—once a friend of Takeru’s mother—takes it upon himself to lighten Takeru’s days through a promised trip to an aquarium. It’s the drive there that provides the map on which fragments of memory are skillfully pinned. Grace comes in unbidden waves that offer reprieves amid the mental isolation Takeru endures.

Meticulous natural details enhance many scenes. Whether noting the sound of cicadas or dreaming of ants, Takeru is an attentive observer who forms deep impression­s. At turns a psychologi­cal journey, a panoply of self-reflection­s, and a moving portrait of a mother whose longing to leave her village is painfully clear, the book masterfull­y splices memories with the present.

In Turvill’s translatio­n, dialect in the seaside village is represente­d through dropped consonants and vowels, and on occasion, entire syllables. The effect is a rural, guileless voice that is nearly collective.

This eloquent, haunting work captures the heart of a boy at a crossroads.

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